Holy Shit

What happens to the food we digest after it leaves our body? Is it waste that is thrown away or a resource that can be reused? In search of answers, director Rubén Abruña embarks on an investigative and entertaining search through 16 cities on four continents. He follows the trail of feces from the long sewers of Paris to a huge sewage treatment plant in Chicago.

Windparks im Meer - Chance oder Risiko für die Natur?

Offshore wind farms are a major player in the move away from fossil fuels, especially in the North Sea, and they are increasing in number. But their impact on the environment is not yet clear: We take a look at ongoing research in Europe that is measuring the impact of wind turbines and their harm, or benefit, to biodiversity in our seas.

Hydrogène, la belle promesse

Viktor Schauberger - Die Natur kapieren und kopieren

The first film about Viktor Schauberger's life's work. A comprehensive survey of historical facts, current research and various practical applications into both technology and the natural world.

Revenge of the Electric Car

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

De l'eau dans le gasoil

Alles auf Grün – Dieser Weg führt ins Morgen

20 years ago the small town of Wunsiedel was at the edge: businesses had to close, jobs were lost, locals left for good. When a bunch of idealists decided to stop this race to the bottom. They developed a plan not only to put the region's energy supply on a completely new foundation, but also to create new prospects.

2040

A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

AUTARK - Leben mit der Energiewende 4

Leben mit der Energiewende - Der Film

Leben mit der Energiewende 3 - Selber machen

Energia Rinnovabile

Jours d’après

In Isère, in the mountainous region of Trièves, is the Tournesol farm, an experiential farm totally autonomous in energy, a veritable laboratory for renewable energies. Jean-Philippe and his family live there from sheep farming and organic market gardening. But in September 2017, a violent fire destroyed the farm and its facilities. While the family has lost everything, a surge of solidarity is taking place so that the Tournesol farm is reborn from its ashes.

Osmosis

Brazilian mission commander Sam struggles with establishing a stable connection from Earth to his lover. German scientist Joy explores planet Kepler 452b at her research facility for Alchemy Plasma, a revolutionary energy source. Their long-distance relationship faces doom, when alien Dardesh invaders attack the human outpost, 1400 light years away.

Bärland

In the steppes and forests of northern Asia, several species of bear coexist and fight for their survival, in a nature that has been put to the test by climate change.

Der Strand: Tierisches aus dem Ferienparadies

If the beach is synonymous with holidays and relaxation, it is also of capital importance for the animals and plants that flourish there. Between wet towels, umbrellas and sandcastles, the real inhabitants of this golden expanse have developed amazing strategies to adapt to the tourist crowds.

Pierre Cardin: La Fabrique du Futur

A Knife in the Eye

A day in the life of the Belgian painter, Michaël Borremans.

Az ország háza

Encounters at the End of the World

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.