Verglas 98

Fleurdelisé

Au cœur de Mégantic

Le beau plaisir

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

The Hyperglot

Despite an unrivaled talent for communicating, Jake has trouble talking to women. When an impossible situation presents itself, Jake ignores the signs and goes on a wild goose-chase to pursue his quest for love. When his plan is foiled, a new best friend helps him finally express himself successfully to a woman – without uttering a single word.

Morning on the Lièvre

This short film offers a picturesque tour through the maple-wooded hills alongside Québec's Lièvre River in autumn to the accompaniment of acclaimed poet Archibald Lampman’s poem Morning on the Lièvre. Trees are ablaze with colour, and their splendor is reflected in the mirrored surfaces of the water, offering a glimpse of the landscape Lampman knew so well through the poet’s eyes and words. Lampman’s poem is read by broadcaster and poet George Whalley, with accompanying score by composer Eldon Rathburn.

Mommy

A peculiar neighbor offers hope to a recent widow who is struggling to raise a teenager who is unpredictable and, sometimes, violent.

dadme la muerte que me falta

Writing the Land

In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

La Fille du cratère

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

The Taste of the Name

Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.

La vie heureuse de Léopold Z

A worker, called in a hurry to remove the snow in the city street, try to buy his remaining gifts in the tumult of Christmas eve without quitting his work.

The Pianist

Jean and her sister, played by Macha Grenon, have a life long infatuation with the Japanese Pianist who once lived across the street from them during their high school years. The film is set during the family's reunion on Vancouver Island and flashes back and forth over the last 10 years. By coincidence, Yoshi who is now a world famous Pianist is giving a concert in Vancouver and Amy is anxious to see him again but her sister curiously is not at all interested. The girls explore old passions, stalking, sibling rivalry and wrong life choice based on the fantasies of their youth.

La Grande Invasion

The film looks at the impact of over-development in historic towns in Quebec’s picturesque Laurentian mountains. As big box stores and large retailers drive local merchants out of business, and foreign developers buy up huge tracts of land for resorts, local residents’ property taxes are skyrocketing. While the locals organize against expropriation by taxation, an internationally-known artist, René Derouin, adds his creative energy to protect the heritage of “Les pays d’en haut” from The Great Invasion.

Maurice Richard

The story of Quebec's most beloved hockey player, Maurice "The Rocket" Richard, focusing on the struggles of a French Canadian in the National Hockey League dominated by Anglophones.

La détresse au bout du rang

L'école de demain

Montreal and India

The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.

Fuchs & Pinguin

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.