Die Reise zum sichersten Ort der Erde

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt

Cher Monsieur, cher papa

Classe d'accueil

Das Gehörlosendorf

For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.

Feltrinelli

Fenster zum Jenseits

Feuer & Flamme

Hotel Abyssinie

I Am Mariam Binladen

Ina, Amer & Elvis

Greina

Hans Josephsohn - Im Haus der Plastik

Des bleus dans la police

Debra Milke

Der Duft des Geldes

In Protestant Zurich, people with money avoid flaunting it. Wealth fascinates, but it also arouses jealousy. Four wealthy Zurichers are in search of happiness: one man unexpectedly inherits a large sum of money; he tells no one about it and indulges in a luxury: he finally takes the time to live. For religious reasons, a woman from an old Zurich family renounces her possessions and inheritance. A "self-made" entrepreneur is constantly expanding his international business and living the good life. A welfare recipient relives, with mixed feelings, the days when money flowed freely. For years, he has been fighting a bank to repossess his fortune.

From Somewhere To Nowhere

Amidst the chaos of modern China, where megacities spring up at a dizzying pace, Swiss photographer Andreas Seibert has chosen to document the lives of the "mingong," the migrant workers who fuel the country's economic engine. Director Villi Hermann followed him in this endeavor for several years, immersing us in the photographer's eye and capturing the essence of his work on these forgotten souls. Seibert, with his lens, and Hermann, with his camera, weave together a poignant narrative that sheds light on the often-hidden reality of China's economic growth. "From Somewhere to Nowhere" is an ode to humanity in an ever-changing world, a reflection on the individual's place in the grand scheme of things, and a celebration of the power of photography as a means to capture the spirit of an era.

Eigentlich wollten wir zurückkehren

They came to Switzerland in the hope of a better life when they returned home. Thirty or forty years later, they're still here. Now in their retirement years, three couples who once came from Turkey and the Balkans are at a crossroads: to return or to stay? The question has been with these migrants all their lives in Switzerland. It's now urgent to find an answer, and the families of their children must also make a decision. Will the older generation return home? Who will look after old parents here or there?

Ce cher musée

Journal de Rivesaltes 1941-42

Jung und Jenisch

Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.