峠 最後のサムライ

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.

大忠臣蔵

Chushingura has been made into a movie several times before, but this time it will be presented in a widescreen version with all natural colors and a new look. Written by Masato Ide and directed by Tatsuo Osone. This is a magnificent scroll of images that depicts on a grand scale the triumph of the Genroku era that shook the citizens of Edo, the peaceful capital of Japan. The top stars of the film, shinpa, shingeki, and kabuki worlds at the time of production were lavishly cast, and a huge budget was invested to create a large set for this highly acclaimed and moving epic.

四十七人の刺客

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

宮本武蔵

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

続宮本武蔵　一乗寺の決闘

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

宮本武蔵完結編　決闘巌流島

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

本能寺合戦

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

源九郎義経

An exciting historical drama that dynamically depicts the life of Minamoto no Yoshitsune from the period of his stay on Mount Kurama to his reconciliation with his brother Yoritomo.

時代劇スペシャル 源義経

One evening, when the monk Saito Musashibo Benkei was luring for his sword number 1000 at Gojo bridge, Shanao (later Yoshitsune), a young man of small and fragile stature passed by. He wore a nice sword and played the flute.

おしどり喧嘩笠

椿三十郎

"Tsubaki Sanjuro" is a remake of Sanjuro (1962) by Akira Kurosawa. Sanjuro returns with sharper, faster, subtler sword, talking and perception. He uses them to settle the trouble and uses them good!

山女

Late 18th century, Tohoku. An outcast girl, Rin lives in a village suffering from famine. She draws strength from Mt. Hayachine, where the spirits of humans ascend after passing.

江戸最後の日

It is a historical drama that follows Katsu Kaishu's efforts to surrender Edo Castle bloodlessly in the first year of the Meiji period.

海援隊

花笠道中

In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.

若き日の次郎長東海一の若親分

He was married to his lover's butterfly and started a new residence. But good things do not last. In his uncle, Uzaemon in Kawashima, Yoshiji Akaji, Yoshimoto's lender, and Kanehira Akagi, the older brother of the former loan of Mishima, played a challenge. It is said to open the ladies' room to the settlement of Wada island. Although Jiro headed to Shigetsugu for arbitration, he was forced to surrender. In such a case, Jiro became chased by Kinpei and others.

たそがれ清兵衛

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

地獄の剣豪　平手造酒

The man is chased by losing the beauty and preciousness of love and the foundation of life without overcoming the hardship of life.

雨月物語

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

大暴れ五十三次