Please Don't Go Looking

This experimental short film by Iain Delavan serves as an abstract, yet harrowing expression of his struggles with Post-traumatic stress disorder, due to his repeated childhood sexual abuse. Iain was diagnosed with PTSD in March of 2022, and this film boldly represents the continued battles that Iain must face every day, such as severe depression, self-harm, panic attacks, flashbacks, nightmares, suicidal ideations, and other painful symptoms.

Red Autumn

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Lost Then Found

A young girl's odyssey intertwines with a luminescent guide, casting light on her path through life.

Mensbeeld

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

Epidemia Nacional

Boy finds it difficult to relate to his external

Por Nós, um ensaio

How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.

Cada Minuto

Boy experiences pleasant visit from painful loss

Casual Workers

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

Libro

Man is trying to find himself by doing circles around with his skateboard.

Seasons in the Sun

A journey through the unconscious of the central character, who visits, in past colors, important signs of his life.

An Unmarried Woman

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Fehérlófia

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

Elsa

The World Ends With You

A depressed man contemplates the imminent end of the world.

Interferenz

On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.

Number Two

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

Silent Breaths Beneath Electric Glow

Silent Breaths Beneath Electric Glow is an evocative exploration of beauty and solitude, set entirely within a neon-lit aquarium. Through mesmerizing visuals of luminous marine life and the soft hum of electric currents, the film captures the quiet poetry of existence behind glass walls. Each frame radiates a dreamlike melancholy, celebrating the fragile connection between life and its artificial surroundings. A meditative journey through light, color, and the silent breaths of a world suspended in electric glow.

Fleshworm Dreams

Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.

Mohammad Saadh

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

Yesterday's Concert

Protagonist is faced with an internalized feeling that emerges in a moment in memory