Die Arier

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

The Long Road Through Balkan History

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Numéro zéro

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

The Sound of Identity

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

The MacArthur Facade

An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to discover horrifying truths.

The Kumbha Mela: Same As It Ever Was

This is a silent film, with a musical soundtrack, shot during a boat journey along the waterways of Kashmir that took him to the festival. Using the simplest equipment, a Super-8-camera with a special lens, and directing his attention at simple things--the rhythmic splashing of a heart-shaped oar, the sparkle of evening sun on still waters--Albert Falzon has captured the timeless slow motion of Northern India.

Devyatka

Two friends faced with an internal conflict struggle to find a way of communication.

Kaab l Dayaa

Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.

Cairo Jazzman

A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.

Consommateurs, vous avez le pouvoir !

Hometown: A Portrait of the American Opioid Epidemic

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

Hoxsey: When Healing Becomes a Crime

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

Moravská Hellas

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Féria

A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...

Lipstick

With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.

Dare to Dream: Anarchism in England in History and in Action

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

The Return of the Green Man

Since ancient times, the Green Man has been one of the most mysterious and menacing of mythical characters. He also has a familiar face as Robin Hood , Jack in the Green and on numerous pub signs. Across the arts from comic strips to classical opera, the Green Man is now making a comeback. Where is he taking us? Writer Sir Kingsley Amis , film director John Boorman , composer Sir Harrison Birtwistle and other leading artists offer their interpretations of the mystery in this Omnibus documentary film from 16th November, 1990.

American Aloha: Hula Beyond Hawai'i

American Aloha: Hula Beyond Hawai’i shows the survival of the hula as a renaissance continues to grow beyond the islands. With the cost of living in Hawai'i estimated at 27 percent higher than the continental United States, large numbers of Hawaiians have left the islands to pursue professional and educational opportunities. Today, with more Native Hawaiians living on the mainland than in the state of Hawai'i, the hula has traveled with them. From the suburbs of Los Angeles to the San Francisco Bay Area, the largest Hawaiian communities have settled in California, and the hula continues to connect communities to their heritage on distant shores.

Un printemps de square

Crack: Cocaine, Corruption & Conspiracy

A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.