Ciudad sin sueño

La Cañada Real, on the outskirts of Madrid, is one of the largest illegal shanty towns in Europe. Tonino, a 15-year-old Roma boy, has always lived here with his family. With his best friend Bilal, they film the world around them using a mobile phone, inspired by the gypsy legends he hears at home. But everything falls apart when a notice of imminent eviction arrives at his home and he discovers that his best friend is leaving La Cañada for good. Tonino finds himself torn between the dream of a new life and his attachment to his family and roots.

朝が来る

A portrait of a man confronting the dread of another day in grief and solitude by the seaside.

Gisela

West of Greatness: The Story of the Westwego Muscle Boys

In a fading Louisiana town, Jerome dreams of Hollywood while Terry seeks escape from a troubled home. United by desperation, they train for a high-stakes bodybuilding competition that becomes their shot at something more. Filmed over 18 months, WEST OF GREATNESS blazes a bold new trail in cinematic storytelling, blending raw documentary with scripted drama. It's a haunting, human story of ambition, survival, and the quiet bond that forms when there's nothing left to lose.

تسویه حساب

Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.

Kate Is Sad

After a suicide attempt, Kate moves in with her estranged working-class Aunt Trish, where she spends the next few weeks roped up in Trish's madcap world as they learn to live with eachother.

OVERRATED

Benin has left Adelaide for a new life in Sydney, but he will soon realize that there is only so much charm to a fresh start. The struggles of adulthood seem to escalate around him - a recent breakup, followed by a series of other failures, has cornered him into a dark state of mind. With some help from his friends, he'll have to strive for the obvious personal development needed in order to keep moving forward.

No Apologies

As a family of siblings and their spouses gathers at their father's deathbed, old jealousies and new angers and liaisons lead to an inevitable climax.

Take Me Out

A window into the broken soul of Bruce, battling long-term depression and the culmination of events leading up to the tipping point of his bottled up shame, guilt, and self-destruction.

Antes del olvido

The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.

Asfixia

After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente, a hypochondriac compulsively obsessed with avoiding sudden death. Their relationship moves through suspicion, fear and compassion to tenderness and love.

Bent Vision

Finley and his wife rely on the microchips in their neck to live their lives but they can never kiss again. When Finley openly voices criticism of the world that technology has given them, he loses his wife to the very malevolent tech company that implanted the microchips in their bodies. Finley then sets off to save the world the world by fixing the very tech that drives it.

En værdig mand

Night at the bakery. When everyone else is sleeping, Erik the baker works alone. All is quiet except for the sound of his radio, always tuned to the same late-night joke programme. Erik practices his own jokes while he kneads the dough in the hopes of getting on the air and be named Joker of the Week. Meanwhile the distance grows between him and his family at the dinner table.

Strangers: The Brief Encounters between Alka and Micah

Strangers revolve around a solitary photographer who captures portraits of unknown individuals by confining himself inside a photo booth. However, the photographer's clandestine activity comes under jeopardy when a mysterious woman begins to make frequent visits to the booth.

The Night House

Reeling from the unexpected death of her husband, Beth is left alone in the lakeside home he built for her. Soon she begins to uncover her recently deceased husband's disturbing secrets.

Bathsheba

A widow struggling to readjust to a life of grief unexpectedly meets a woman whose presence is transformative.

29 Palms

A successful Japanese interior designer travels to Joshua Tree with her American boyfriend and must confront her stagnant relationship while struggling with depression and thoughts of suicide.

Streif

Jesper’s partner and daughter are away for the weekend. His plan to be alone is disrupted by an unknown call. Can meaning and hope arise in a conversation with a stranger?

Psicose 4.48

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

Hisser

The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.