Tropico

Based on the Biblical story of sin and redemption, Adam and Eve explore modern LA; the land of gods and monsters.

FRANCHISE: The IMAX Experience

Following his work with Christopher Nolan on the IMAX release of Tenet and his featured song “The Plan,” Travis Scott and IMAX have teamed up to deliver fans a new way to experience his music. Optimized for IMAX theatres, fans will experience “Franchise” with powerful precision sound and the highest quality crystal-clear imagery on the biggest screens. Only IMAX’s unique theatre geometry will immerse audiences into Travis Scott’s vision with an audio-visual experience unlike any other. Witness “Franchise” first, only in IMAX.

The Adventures of the Son of Exploding Sausage

The Bonzo Dog Band freak out at the farm and strange sounds abound.

One Hundred Years

A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.

機甲創世記モスピーダ Love, Live, Alive

After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.

Spheres

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Experimental Animation

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

Session Man

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.

We Must Have Music

A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer

Adult Baby

Short film accompanying the 'Adult Baby' album by Kazu Makino. A giantess leaves the sea in order to live as a human and fall in love, but must return to the sea before she returns to her true form.

Street Musique

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

The Ugly Little Boy

Edyth Fellows is a nurse recruited for an research project with a time travel device that can snatch any being from any time and bring it to the present. The first such test brings an Neanderthal child to the project and Fellows is responsible for his care for the interim. As she manages this task, Fellows is increasingly revolted at how the scientists dismiss him as little more than an animal, especially when his real intelligence shows. This growing moral dilemma comes to a head when Fellows realizes what they plan to do with him and she cannot stand by and let it happen.

A Doonesbury Special

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

Hymn of the Nations

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

Feet of Song

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

Sunny

Early to Bed

Alan Bleasdale’s television debut, this beautifully observed drama stars Alison Steadman as a woman having a passionate tryst with the boy next door while her husband is at work.

Pojken och draken

A young Swedish boy tries to enjoy his birthday with his mother in the maternity ward and his father having forgotten about the occasion.

Alpha Chow

Canine guru Kent Ross has developed a dog nutrition system with a bad side effect.

Megalkuvó macskák

This is a Hungarian cult animated short musical starring two stand up comedians / singers: Hofi Géza and Koós János. Directed by Nepp József, a well known Hungarian cartoon director, the story revolves around two cats, who try to catch some mice in the house. With sporadic dialog, the emphasis is on the parody of international and Hungarian evergreens of the era.