A Santa Joana dos Matadouros

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf?

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Não Sei Bem Se Meu Nome É Eveline

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.

Les Contes d'Hoffmann - Teatro Regio di Parma, 1988

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Kokuhaku

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

Ghostlight

When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.

Digital Theatre: Billy the Kid

Michael Morpurgo's heart warming story of a champion Chelsea footballer set against the backdrop of the Second World War.

Folie ordinaire d'une fille de Cham

In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.

História de amor (últimos capítulos)

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

Este no seré Yo

Inés and Tavi, two old friends, reconnect after years apart. Despite their opposite personalities and lifestyles, their bond remains unbroken. Inés, a theater enthusiast, strives to return to her studies and break free from a relationship that stifles her and pulls her away from herself. Tavi, on the other hand, ventures down a dangerous path, surrounded by bad influences and driven by drug dealing, slowly pushing everyone around him away.

Жила-была...

This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.

Floricienta en el teatro

A sequence of musical scenes that define a tender and romantic story, typical of a fairy tale: that is what the theatrical version of Flinderella, which took place in 2004 at the Teatro Gran Rex, is all about. In this version full of fantasy, Greta tells a story to Tomás, a boy who is in his bed sad and without anything to cheer him up. The story tells the love story of a poor girl who lives on top of a train and a rich prince who lives in a palace. Despite class differences and the evil Delfina, love between Flinderella is possible. She is rich in dreams and poor in gold, he is rich in money but does not know how to smile. Flor Bertotti, Juan Gil Navarro, Benjamin Rojas (here a guide who leads Flinderella through the path of dreams) and all the cast of the novel.

Floricienta: Princesa de la Terraza

Flinderella lives in a terrace and that's her world... A sad, dark, cold and lonely place that is transformed into a magical space, thanks to the light of our heroine's soul. Alongside her live her guardians of the heart: a magician, a fairy, an angel and a jester: they help her, accompany her and give her strength when she feels lost. Her joy and her ability to feel and dream make Delfina, her sister, hate her, envy her and try to destroy her. Delfina has everything that can be bought with money and lacks everything that comes from the heart. Such is the strength of the soul of our “Princess of the Terrace” that she manages to reverse Delfina's superficial and frivolous world. In this terrace love arises, since Max, a writer who lives nearby, manages to see everything that happens in the house of the evil Delfina and in the dome of the sweet Flinderella. A new tale with a great love story.

ਡਰਾਮੇ ਆਲੇ

A group of theatre performers travel to London and put on a production they hope will repair cultural divides between India and Pakistan.

Dumula ng Isa, Dalawa, Tatlo...

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

The Blu-ray Experience II: Opera, Ballet & theatre

I love you mum, I promise I won't die

In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.

The Other Place

Two sisters reunite on the anniversary of the death of their father. Their uncle has remodelled their family home, in an attempt at a fresh start. But one sister’s sudden reappearance threatens to shatter this fragile idyll as she demands justice for the pain she carries.Amid the debris and the new extension, guilt, grief and greed battle it out in the family’s competing dreams of their future. When we are faced with the suffering of others, even those closest to us, can we look away?

Ramsès II

Chuck & Buck

Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.