Toorumi Pojad
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
Toorumi Pojad
1989
0
The intention of this film was to explore movement flow. Specifically, the consequences of cutting, inserting, and patching an image of a movement flow into itself. For material, I chose sequences of a Contact Improvisation duet between two dancers who had a great appetite for extended flow. My task was to devise real-time editing techniques that could re-create a sense of flow while disrupting an already flowing dance. Each study uses a different improvisational score for real-time editing actions. The technology was 3/4" U-matic. While watching two monitor screens above me, I had to press the editing buttons (in and out) forcefully while standing up, making the activity a full-body interaction with my eyes.
Toorumi Pojad
1989
0
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