Mi vida dentro

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Derby c.1938 - Eisner Personal Film

Charming amateur film featuring the Eisner family, who emigrated to Britain from Romania the year this film was made.

Estoy acá (Mangui Fi)

For Ababacar and Mbaye - two Senegalese immigrants who met and established a great friendship in Buenos Aires - the challenge goes beyond adapting to the customs and living conditions in Argentina, or dealing with the indifference and racism they suffer on a daily basis: both came to an instance of their lives in which they must define a course, and in turn accept that their identities and needs have become more complex. The decision to leave their country was driven by the urgent objective of financially supporting their families, but the stay in Buenos Aires crossed them with new people, new ways of seeing things, and even an economic situation different from that which they found at home. Their different ways of seeing things allow them to see in each other a different version of themselves.

Bring Out a Briton

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

Immigrants

A fascinating, unsettling study of immigration in 1960s English cities.

Renaître

Canada as a refuge for LBGTQ+ immigrants: Yazan from Iraq, Nata from Central Africa, Aida from Iran and Eilyn from Colombia all had to flee their homelands, where violence, threats, hate and rejection prevented them from living their lives and expressing their sexual orientation openly. All they wanted was to be free. From Beirut to Montreal, Quebec City or Vancouver, this ensemble documentary follows the journeys of four people who are determined to change their future. From the terrifying realities they had to flee to the heartbreaking sacrifices they were forced to make, Renaître is a vibrant and luminous tribute to their quiet strength.

Une identité dans la diversité

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Une jeunesse française

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?

From Mexico to Vietnam: A Chicano Story

"From Mexico to Vietnam: A Chicano Story" is an inspiring documentary that chronicles the life of Jesus S. Duran, a Mexican immigrant who became a decorated U.S. Army soldier during the Vietnam War. Born in Juarez, Mexico, Duran moved to the United States as a child and enlisted in the Army in 1968. On April 10, 1969, while serving as an M-60 machine gunner with Company E, 2nd Battalion, 5th Cavalry, 1st Cavalry Division (Airmobile), he displayed extraordinary bravery by rescuing several wounded comrades during an intense enemy ambush in Tay Ninh, Vietnam. His valorous actions led to a posthumous Medal of Honor by President Barack Obama. Directed by Andrés Gallegos, the film delves into Duran's personal journey, his family's migration from Mexico, and the broader impact of the Vietnam War on the Chicano and Latino communities.

Bagages

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

The Hand That Feeds

Behind the scenes of a popular deli on New York's Upper East Side, undocumented immigrant workers face sublegal wages, dangerous machinery, and abusive managers. Mild-mannered sandwich maker Mahoma López has never been interested in politics, but in Jan. 2012, he convinces a small group of his co-workers to fight back. Risking deportation and the loss of livelihood, the workers team up with a diverse crew of innovative young organizers and take the unusual step of forming an independent union, launching themselves on a journey that will test the limits of their resolve. In one rollercoaster year, they must overcome a shocking betrayal and a two month lockout. Lawyers will battle in backroom negotiations, Occupy Wall Street protesters will take over the restaurant, and a picket line will divide the neighborhood. If they can win a contract, it will set a historic precedent for low-wage workers across the country. But whatever happens, Mahoma and his compañeros won't be exploited again.

The Last Chinese Laundry

A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.

La dernière clé

A young immigrant arrives in Canada from France, and brings his Citroën 2CV with him. The iconic post-war car stands out on the streets of Vancouver, and before long he meets up with a group of like-minded car buffs.

Luntano

I Come From Away: An Immigrant in Maine

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.

Meno-paluu

A Liberian refugee SAM REAYAH and his family have been separated for five years and live in uncertainty waiting for family reunion. While Sam and his younger daughter Ruth continue their lives in Buduburam Refugee camp in Ghana, his wife Decontee and his older daughter Joyce have already started a life in Rochester, USA. The film explores the idea of home. Sam's family had a home in Liberia, but they had to give it up. They were forced to build homes elsewhere. They built a home in Ghana. They build a home in The United States. They built homes together, they build homes separate of each other. But which home does the heart want?

Der grosse Kanton

Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?

Ailleurs, Partout

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Terwijl het liefde was

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.