Mystická reč ikon

Mario Camus según el cine

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).

La vague

A passionate photographer from an early age, Dolorès Marat spent much of her life in photo labs, developing shots for fashion magazines. In the early 1990s, at the dawn of her forties, she decided to devote herself to her personal work. Today, she is exhibited worldwide. With her Leica camera in hand, Dolorès Marat takes an intimate look at her surroudings. She shots on the spot, as the blue hour settles. In her photographs, a dream-like strangeness overlaps the triviality of everyday life. Director Armelle Sèvre, also a photographer, wanted to see the world through Dolorès’ eyes. Together, the two women will scour the shores of the Mediterranean Sea, in search of a wave… Carried along by a bewitching soundtrack, this film dives in the enigmatic, hazy and colorful universe of a singular artist.

The Real Beauty and the Beast

It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.

Goya

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

Frank Lloyd Wright – Der Phoenix aus der Asche

A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.

Tsirkus

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Palabras para un fin del mundo

Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Yo soy Arturo Fernández

A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.

Morgana

A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.

The Artist’s Garden: American Impressionism

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.

Confessions of Pia Antonia

Self-taught artist and independent mother Pia Antonia Klinkhammer engages in a conversation about art making and self expression with students from a German art school, who pay her a visit in her hometown. Sharing with them her life experiences, she sheds light on her unique painting style informed by her rebellion against the philistine upbringing in the suburbs of Cologne. By capturing Pia Antonia Klinkhammer's works on 16mm film, accompanied by her son's music, the students create what eventually becomes her only lifetime solo exhibition.

Nothing Changes: Art for Hank's Sake

How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same.

Rafael França: obra como testamento

Ashes and Snow

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

MUJ(ERES)?

The Simón's Jigsaw: un viaje al universo de Juan Piquer Simón

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

Post New Bills: The Story of Green Patriot Posters

A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).

Meat Joy

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

La Cicciolina – Göttliche Skandalnudel

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.