An American Dissident: un tributo a Frank Zappa

An American Dissident: un tributo a Frank Zappa is an Italian documentary that aired on the Videomusic channel on January 7, 1994. It includes footage from Zappa's Universe, Video From Hell, Does Humor Belong In Music?, Baby Snakes, The True Story Of 200 Motels, The Late Show, Zappa's May 17, 1988 show at Palacio de Deportes in Barcelona, Spain, The Dub Room Special, various other interviews and performances.

PEOPLE 2018 ★ THE FILM

PEOPLE - THE FILM Vincent Moon’s journey through our magical PEOPLE Festival 2018. These moments out of time, in between spaces, the ritual, the coming together of 200 musicians to create and share to an audience of 5000 people. …all of these communal experiences that we cherish. To help us get through this winter, to remember how great it feels to be close, to sing loud, to cry together, to dance… to joyfully discover what waits behind the next door. For those who experienced this memorable week, those of you who have heard of it and for those who are curious.

Frank Zappa: Peefeeyatko

For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.

OHM+: The Early Gurus Of Electronic Music : 1948–1980

Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.

Transfragmentation

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

André 3000 - New Blue Sun (Listening)

"I swear, I wanted to make a “visual album” but this is literally the way the wind blew me this time."

Sound Pictures by Music

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

To B or to B Flat - the composer Boudewijn Buckinx

Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.

Frank Zappa - Live in Paris 1980

Recorded Live in Paris in 1980, this is a rare recording of Frank Zappa performing at the peak of his career with his incredible backing band, including Ike Willis (guitar/vocals), Ray White (guitar/vocals), Tommy Mars (keys), Arthur Barrow (bass) and David Logeman (drums). It was the year after Zappa released two of his greatest albums - Sheik Yerbouti, and the masterpiece Joe's Garage - and this cracking live show includes the classic Zappa songs Joe's Garage, Dancing Fool, Bobby Brown and The Illinois Enema Bandit. Tracklist : 01. Chunga's Revenge 02. Keep It Greasey 03. Joe's Garage 04. Why Does It Hurt When I Pee? 05. Dancin 'Fool 06. Bobby Brown 07. Ms Pinky 08. Illinois Enema Bandit

Time

Then, now, where? how?

The Ballad of Genesis and Lady Jaye

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

Sisters with Transistors

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

No Ideas But in Things - the composer Alvin Lucier

“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University.

Roxy: The Movie

A Frank Zappa show goes way beyond a mere concert – it is an experience…a flight of improvisation, musicianship, and cerebral cynicism. An unparalleled Composer and Guitarist, Zappa redefined rock n roll paradigms by introducing into the mix his favorite influences from classical music, jazz, blues, doowop, traditional and non-traditional music. And he did so with unparalleled humor and audacity. But it was the music itself that influenced generations of musicians and, quite frankly, blew minds. Roxy: The Movie, filmed over three nights in December 1973, at the Roxy Theatre in Hollywood, CA, is a powerful display of this experience, and reveals what made him such a pioneering musical revolutionary.

Electronic Vibrations – Ein Sound verändert die Welt

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

Moonwalk

This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.

GUTTER: Girls of Noise

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

SIN PIEDAD