수프와 이데올로기

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

돌들이 말할 때까지

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

건국전쟁 2

How did South Korea, after liberation in 1945 defend liberal democracy against leftist and communist forces? The door to that secret is now revealed.

없는 노래

목소리들

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

해원

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

그날의 딸들

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

비념

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

빨간 색연필

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

기억 샤워 바다

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

“레드필터가 철회됩니다.”

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

메이•제주•데이

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

한란

Set against the backdrop of the Jeju Uprising in 1948, which was sparked by an armed revolt of islanders fearing the division of Korea into North and South, the film portrays the tragic consequences of an indiscriminate punitive expedition by the South Korean government. Under the guise of an anti-communist campaign, more than 25,000 civilians were slaughtered. Through the story of a mother fiercely protecting her young daughter, the film highlights the resilience and strength of Jeju women amidst the chaos.

내 이름은

지슬: 끝나지 않은 세월 2

The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.

퇴마; 무녀굴

Jin-Myung is a psychiatrist and exorcist. With his assistant, Ji-Kwang, they attempt an exorcism on Geum-Joo. She suffers from a bizarre phenomenon. They then face a powerful existence within Geum-Joo. Extreme horror arises out of her.

이어도

The story of a young mother shows her trapped in the massiveness of circumstance. Forced to desert her only child and live with the anxiety, she can only weep. On the island, life is getting much harder, and there is only wind, stone and women.

끝나지 않은 세월

On October 15, 2003, in a quiet autumn day at a high-rise apartment. Hwang Ga leisurely waters the plants on the balcony. At the same time, Hyung-min, a man in his sixties, lives in an old house on the outskirts of the city. As the local news on TV announces the confirmation of the "Jeju 4·3 Incident Truth Report," the two elderly men reminisce about their similar yet distinctly different pasts. The first independent film from Jeju Island.

Chancers: The Great Gangster Film Fraud

Documentary about a bankrupt Jordanian entrepreneur and an unemployed Irish actress who hatch a plan to scam £2.5m off the British taxman by faking the production of a £20m movie. But they are found out, arrested and then bailed. While out on bail, they decide to prove their innocence by actually making a film. They hire a former nightclub bouncer, now a self-made micro-budget gangster film director. In 2011, Paul Knight makes their movie for under £100,000 with a cast of soap and gangster movie stars including Danny Midwinter, Marc Bannerman and Loose Women's Andrea McLean. The film's title is A Landscape of Lies. But the cinematic alibi does not convince the jury when the trial runs in 2013. The producers are convicted of tax fraud and given long sentences.

Järven tarina

Tale of a Lake is a film about the thousands of lakes that Finland is known for. It takes the viewers on an unprecedented adventure, ranging from the crystal clear springs all the way to the basins of the big lakes. It opens a whole new world of underwater nature for the viewers, and tells about the many old tales and beliefs in the land of thousands of lakes. The story of the film is told through tales that are based around the myths, legends and old beliefs that are part of the Finnish mythology.