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François Pirette - Bla Bla Land

Blah blah blah, blah blah blah blah blah blah blah! Blah blah blah blah blah blah blah blah blah (blah blah blah blah blah) blah blah. (*) It seems that comedians still have a lot of work to do in this world where people definitely talk more than they act: Bla Bla Land.

National Theatre Live: Fleabag

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

Florent Peyre : Tout public ou pas

Ary Abittan - A la folie

Alex Vizorek est une œuvre d'art

Shirley Souagnon - Sketch-Up

Marc Herman - Sketchup & mayo

Ruben fête ses 25 ans

L'Appel de Londres

Stuart Dee

Dieudonné - En paix

Dominic Paquet: Paquet voit le jour

Vérino se paye l'Olympia

George Carlin: On Campus

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

En coup de vamp

Del Shores: My Sordid Life

Famed comedian/writer Del Shores (Sordid Lives, Queer As Folk) shares the real-life stories that inspired his writing in this hilarious one-man show recorded live during his critically acclaimed tour across the U.S.

The 90's - ett försvarstal

It's fun to give up and admit that things were better in the past. At least, that's what Henrik Schyffert thinks. The bully from the Killing Gang has gray temples and has started to reflect on the history of his generation. Why did things turn out the way they did? Henrik Schyffert is here to give us some perspective. In a tender but funny monologue, he stands up for himself and his mission to reclaim the 90s!

Monster in a Box

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."