In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

Jack L. Warner: The Last Mogul

An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.

Merci Monsieur Robertson

A glimpse of the pre-history of cinema starting with the projections of Etienne Gaspard Robert (also known as M. Robertson), who used magic lanterns and other optical illusions to develop the genre of the Gothic phantasmagoria in the late eighteenth century.

Country: Portraits of an American Sound

'Country: Portraits of an American Sound' is a documentary film that explores the history and culture of country music through the lens of photography, which has portrayed the ideals, lifestyle and personalities of country music artists for over 80 years. The film features imagery and commentary from Grand Ole Opry photographer Les Leverett, the late celebrity photographer Leigh Wiener, documentary photographer Henry Horenstein, iconic music photographers Henry Diltz and Raeanne Rubenstein, and contemporary photographers David McClister and Michael Wilson. Over a dozen country music artists also appear, including Rosanne Cash, Roy Clark, Merle Haggard, Lyle Lovett, Charley Pride, LeAnn Rimes, Kenny Rogers, Tanya Tucker, The Band Perry and Keith Urban. The film weaves iconic images, historical footage and over 25 country music hits into a dynamic look at this uniquely American sound.

On est au coton

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Auge in Auge - Eine deutsche Filmgeschichte

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Dixie Chicks: Shut Up and Sing

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Blake and Gwen: Now and Then

Follow the offstage, unlikely romance of the king of country, Blake Shelton, and pop princess, Gwen Stefani. Both stars braved their share of challenges on the way to writing their own love song.

Vivement Truffaut

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club: Claude Jade

The James Dean Story

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

The Latino List

Documentary film interviews leading Latinos on race, identity, and achievement.

Roundhay Garden Scene

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

The Pixar Story

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

Shania Twain: Empowerment

Considered as The Queen of Country Pop, she is one of the best-selling artists of all time, having sold over 85 million records worldwide. Her album ‘’Come on Over’’ being the best-selling album by female artist and the top selling country album of all time, Shania Twain crowned her career her splendid career with 5 Grammy awards, 27 Song writer awards and stars on both Canada and Hollywood Walk of Fame. She is the only female artist in history to have three consecutive albums certified Diamond and is ranked as the 10th best-selling artist of the Nielsen SoundScan era. We invite you to follow the story of a true Diva.

At the Drive-In

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Glen Campbell: I'll Be Me

A documentary film detailing Glen Campbell's final tour and his struggle with Alzheimer's disease.

Rocío

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

Okay for Sound

This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.