Mientras seas tú

After 50 years in theatre, film and television, Carme Elias is diagnosed with Alzheimer's Disease. Together with Claudia Pinto, a director and friend, they decide to record her last conscious voyage. The characters played by Carme accompany this difficult period, while the borders between fiction and reality disappear. While You're Still You is a constant game of mirrors, a pact of love and friendship.

Danny

A moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986. This powerful work explores the reason for Danny’s return home and his attempts to reconcile his relationship with his family members who had difficulty facing his homosexuality and his imminent death.

History and Memory: For Akiko and Takashige

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

ATAVISM

Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.

How to Remember

The story of a young Kurdish man who tries to remember his past traumatic experiences. A young migrant struggles to remember the memories of post-2015 Turkey while faced with the commemoration practices of the Holocaust. The film takes place in present-day Krakow, Poland, particularly in the former Nazi concentration camp in Plaszow.

Hérédité

Flora, 30, is a French geneticist. She analyzes what is transmitted or not between generations. She lost her parents who were fervent Maoists within the proletarian Left from the end of the 1960s. She must now sort through her parents' apartment: what to choose to keep or not from their memory?

Negotiating Amnesia

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Horizon: How Does Your Memory Work?

You might think that your memory is there to help you remember facts, such as birthdays or shopping lists. If so, you would be very wrong. The ability to travel back in time in your mind is, perhaps, your most remarkable ability, and develops over your lifespan. Horizon takes viewers on an extraordinary journey into the human memory. From the woman who is having her most traumatic memories wiped by a pill, to the man with no memory, this film reveals how these remarkable human stories are transforming our understanding of this unique human ability. The findings reveal the startling truth that everyone is little more than their own memory.

Their Houses

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Fantasmas: Caminho Longo para Casa

After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.

Mudder's Hands

A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.

O Lugar das Quimeras

An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.

Z Channel: A Magnificent Obsession

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Una zona Ajardinada Demasiado Tranquila Para Mí

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Nested Sequence

Michael Jackson Memorial

A live telecast of the public memorial service for the king of pop, Michael Jackson.

The Future Tense

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

E

The city and its parking lots.

Maquinal

Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.

Con Traje y Sin Zapatos