Nous paysans

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

Как спасти мёртвого друга

Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.

Richelieu

A French-to-Spanish interpreter working for a food processing plant that hires seasonal workers from Guatemala is, at first determined to obey the sometimes excessive directives of the young boss, but she befriends the workers and tries to defend them against the exploitation they suffer.

De Chantal Goya à Bernard Minet : Que sont devenues les stars de notre enfance ?

Des blouses pas si blanches

Thirteen Conversations About One Thing

The lives of a lawyer, an actuary, a housecleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.

Grève à Jeune Afrique

Anatomie de la douleur

The Navigators

In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.

Nomad Solitude

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

Pôle Emploi, Ne quittez pas !

This is the story of a team of 40 agents facing 4,000 job seekers at a job centre in the Parisian suburbs. Samia, Corinne, Thierry, Zuleika must support and monitor, bring in the numbers, obey policy guidelines and communication injunctions, and find job offers while none is to be found. Will their strong sense of humor save them from the Kafkaian world they work in?

Beyond Ratings

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

Attention danger travail

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

Les arpenteurs de l'espace

La Ferme des Bertrand

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

Misery Loves Comedy

Do you have to be miserable to be funny? More than sixty comedians—including stand-ups, writers, actors, and directors from the US, Canada, and abroad—take on this question, sharing anecdotes and insights with lively enthusiasm.

Chronique d'un été (Paris 1960)

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Radium City

Documentary about the Radium Dial Company and the aftereffects experienced by its workers from repeated exposure to radioactive paint.

Amor, mujeres y flores

Women workers stand up to the toxic flower industry in Colombia.

The True Cost

Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.