A Group of Women

Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role.

A Joking Relationship

This film depicts a moment of flirtation between N!ai, the young wife of /Gunda, and her great-uncle /Ti!kay. The two share a "joking relationship," a Ju/'hoan kin relationship which provides opportunities for casual intimacy, emotional release, and support.

La Buena Vida - Das gute Leben

The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.

何處

The ninth opus of his Walker Films series, which was shot at Centre Pompidou.

The Ballad of Crowfoot

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

Host

An artist leads his Infection Procession to the water.

Falcon's Gold

An archaeologist travels to Mexico to investigate rumors of the discovery of the ancient statue of a fertility goddess.

No Māori Allowed

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Mom n' Me

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.

Inside The Mob's Bloody Valentine

The St. Valentine's Day massacre is the stuff of American legend, and the tale is familiar to nearly everyone. But the story of that bloody day in Chicago has never been told, or seen, like this before. Cutting-edge graphics and frenetic recreations accompany Johnny Fratto, son of onetime Al Capone-associate Louis "Lew" Fratto, back to Chicago, where he uncovers massacre myths and learns more about the life his father and uncles led when they roamed those lawless streets in the 1920s. Johnny gets guidance and opinions from a team of renowned Chicago gangster experts, and bridges the gap between the stories he heard as a little boy and the reality he lived growing up in a mob family. Johnny's take about what happened on Feb. 14, 1929 will surprise you.

Nidal

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

Lupita - Que Retiemble La Tierra

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

Grayson Perry and the Tomb of the Unknown Craftsman

Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.

Haida Gwaii: On the Edge of the World

Denizens of the British Columbia archipelago unite to protect their land.

Public Housing

Public Housing is Wiseman’s unflinching portrayal of life at the Ida B. Wells housing project in Chicago, a raw exposition of the daily conflicts between residents and the bureaucratic machinery to which they are continually subjected. With intimate detail and an abiding dedication to his subject, Wiseman unearths the hidden facets of institutions to find humanity and sites of unexpected beauty.

Mankind From Space

Mankind from Space is an epic journey of discovery. Using mind-boggling data and CGI, it traces humankind’s story from hunter-gatherer to dominant global species. Seen from the global perspective of space, this special shows the breath-taking extent of our influence, revealing how we’ve transformed our planet and produced an interconnected world of extraordinary complexity.

Cartas do Kuluene

Hunters and Bombers

The hunters are the Innu people and the bombers are the air forces of several NATO countries, which conduct low-level flights over the Innu's hunting terrain. The impact of the jets is hotly debated by peace groups, Indigenous people, environmentalists and the military. But what is often overlooked are the many complex changes underway in Innu society, as social and technological changes confront a traditional hunting culture.

The Four Corners: A National Sacrifice Area?

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Debout sur leur terre

Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.