A Night at the Silent Movie Theater

A raucous comedy of errors about a singer stuck in a dead-end job who sees his last, best shot at rock stardom threatened by freak accidents, movie theater politics, stressed-out relationships and a janitor who is much more than he seems.

100 Reais

Masterclass

Il giorno della prima di Close Up

At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.

Les Zinzins

An actress, lost in an unknown city, comes across an old lady who is just as lost in this city that she no longer recognizes.

Kein Kino

A neurotic film bro learns his lesson.

Noé s'envole

Noé dreams of breaking away from the countryside. With Tom, his best friend, he spends time shooting whimsical DIY videos. When a real film shoot comes to the area, he sees a chance to escape and to reveal to Tom the true nature of his feelings.

KINO

An observation of daily life from the perspective of a cinema employee together with the imagination and power of cinema.

Coming to a Theatre Near You

As the staff close a theatre after hours, their work takes a disturbing turn.

Come non fare un sequel

Amanhã você vai embora

Cinema Brasileiro, Mercado Ocupado

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Sean Penn, l'enfant terrible de l'Amérique

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

Hot Ticket

Short film written, directed, and starring Zoë at the Rotterdam Film Festival.

Hearing Films

Hearing Films is a portrait of Joe Sidarose, a blind film lover who experiences cinema through sound, rhythm, and feeling. His world of film is shaped by voices, music, and the spaces between them, where stories come to life in ways beyond sight.

Fuga de Kairós

Marcello Mastroianni, irrésistiblement libre

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

Homens mortos não conta história

O CLASSIFICADOR DE FILMES

A man questions the definition of “Cinema” by classifying films as “Cinema” or “Not Cinema”.

Sardou, autoportrait