Canale grande

A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.

Third Shift Coming Home

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Rite of Spring

Black-and-white film projections by Bill Morrison, using archival footage of frigid Arctic scenes.

Winterreise

stop

An ode to stillness, in the form of an experimental documentary miniature, inspired by Vitosha mountain and Sofia

flaring memories.

A film made using home videos and scrapped projects, inspired by rapidly blinking on a sunny day.

Red Autumn

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Notes on Vanishing

Moving image artist Lily Alexandre forces herself to ask an unspeakable question: should trans people make ourselves disappear?

Me and My Victim

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

Feuilles vertes

A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera

The Female Offender

An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.

18 Black Boys Ages 1-18 Who Have Arrived at the Singularity and are Thus Spiritual Machines: $1 in an edition of $97 Quadrillion

"It's a performance during which I google the phrase "1 year old black boy" ascending in age to the age of 18. I allow Google's "popular searches" algorithm to predict what comes after the phrase and peruse the results based on what Google thinks I want to search for in a Black boy. The algorithm generates results based on the most popular searches so it can be theorized that the Black boys that the algorithm predicts are the Black boys we are searching for." - Terence Nance

いどむの遺言・続編

8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s Testament - Sequel or IDOMU II. In Saitama prefecture Chichibu city there’s a mountain which was most loved by Tokugawa Ieyasu (founder of Tokugawa shogunate). It is Mount Buko, which rose 2 hundred million years ago when the pacific plate moved the underwater volcanoes around Hawaii. It is like the giant turtle shell where Myouken bodhisattva stood. A gentle mountain which heals people’s hearts and gives them the blessings of green and water.

John Baldessari: Some Stories

Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.

Gary Hill: I Believe It Is an Image

In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary between words and comprehension, the physicality of text, and figurative interactivity.

Natsu ni umareru

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

Khana aur Sangeet

floating images, abstractions, memories. silhouettes of a life lived in Jawaharlal Nehru University

why some people be mad at me sometimes

A meditation on the misappropriation of Dancehall music while using Black Feminist Citational praxis.

Immensity

A look at the evolution of life and finding our purpose.

What We Never Forget For Peace Here Now

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.