Fünf Patronenhülsen

It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.

The Anarchist's Wife

Manuela is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years pass without a word from him, but his wife never gives up hope of seeing him again.

Fallas 37: el arte en guerra

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

La Antorcha de los Éxitos: Cifesa (1932-1961)

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

Francisco Boix: un fotógrafo en el infierno

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

Extranjeros de sí mismos

El hombre que estaba allí

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

Aquí y allí: journal d'une exilée

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

Head in the Clouds

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

Frente de Madrid

Javier Navarro, a Falangist, is ordered to infiltrate Republican Madrid to deliver a message to a member of the Fifth Column.

La red Ponzán

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Зеркало

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

La doble vida del faquir

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Con la vida hicieron fuego

The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.

Land and Freedom

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

Soldados de Salamina

Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.

Pájaros de papel

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

For Whom the Bell Tolls

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.

Los ojos perdidos

Viva la muerte

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?