Suur lumetuisk Baltimaal jõulukuul 1913

A series of short winter scenes.

Step Into the Third Dimension

Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.

Screenwriter John Michael Hayes on 'Rear Window'

Screenwriter John Michael Hayes reminisces about his partnership with Alfred Hitchcock during the making of the classic 1954 film Rear Window.

Screengrabbed Too: BBC Introducing Arts

Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective

To Hell and Back: The Making of 3 From Hell

A look at the production of Rob Zombie's 3 from Hell.

Flora

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Lesser Choices

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Αθήναι

The film depicts the life at the Larissa Railway station in Athens in the spring of 1995. The camera focuses on the station’s ‘tenants’, Antonia, Florakis and George..

Dance on Film: BBC Introducing Arts

Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?

Bakelite

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

Свои совсем особые стихи

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

Merna in de Spotlight

Taking part in The Voice Kids is already quite something, but for 11-year-old Merna it’s really something special. Her parents had to flee Iraq because they are part of the Christian minority, and IS was threatening to kidnap Merna. They now live in Lebanon, where one in three people is a refugee. The family has been waiting for two years for permission to move on. FaceTiming with her older sister, who stayed behind in Iraq, and cooking her favorite dishes with her mother make the situation more bearable. But what also really helps is singing – this calms Merna and makes her less afraid. She used to sing only in church, but since The Voice her beautiful, melancholy voice touches everyone. Because of her status as a refugee, Merna isn’t allowed to attend the foreign performances with the other finalists, but she’s now a national celebrity in Lebanon.

Colours We Paint

The “Painting Skills for Africa” association has been traveling to Rwanda for 10 years now. They support local institutions through social projects. They are painting schools, kindergartens and hospitals. Always at eye level with the journeymen and vocational students.

Kontraktet

In 2005 Beverly Charpentier declared an oath of allegiance to French writer Catherine Robbe-Grillet. In doing so she gave up her freedom for the rest of her life. The Contract portrays two strong women's unconventional love story, two women who have chosen to explore their love in a unique way, without compromise.

Met Dieric Bouts

A filmed essay about the painter Bouts.

Afrique 50

Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in which the director was to cover educational activities by the French League of Schooling in West Africa. Vautier later filmed what he saw, a "lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples". For his role in the film Vautier was imprisoned over several months. The film was not permitted to be shown for more than 40 years.

Bir Kısa Filmin Öyküsü

Common Ground: Under Construction Notes

The making of Alejandro González Iñárritu’s Babel is chronicled through an observational approach that captures the creative and logistical challenges of filming a deeply interconnected narrative across four continents. Directed by Carlos Armella and Pedro González-Rubio, the documentary reveals Iñárritu’s commitment to authenticity and cultural sensitivity, from collaborating with local actors and communities to meticulously recreating environments. Through behind-the-scenes footage and the director’s reflective commentary, it delves into themes of human connection, the boundaries we hold within ourselves, and the visceral nature of communication, offering profound insights into the philosophy behind the acclaimed film.

Il culto delle pietre

In Raiano, Italy, the feast of S. Venanzio is celebrated every year. Beside the official celebrations, the most secret and oldest ceremony is the "Cult of Stones": the devotees enter the caves where the saint used to live according to tradition, and rub their bodies on the stones to heal from evil.

Circuito de São Gonçalo

It's the oldest Brazilian movie that survived and the film that captured the first car race in Brazil.