A Poem for My Blanket

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Art Through Our Eyes

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.

Red Autumn

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Shapeless Tracking

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

Guaret

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

A Street Full of Splendid Strangers

A series of assorted shots of strangers around Manhattan about the comfort found in being anonymous.

Projektionen der Sehnsucht

Τον παλιό εκείνο τον καιρό

A documentary with outtakes from early greek films like Maria Pentagiotissa (1927), Astero (1929), Promithefs desmotis (1930), Dafnis kai Hloi (1931) & O magos tis Athinas (1931).

Cormac McCarthy's Veer

Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious

THÁI BẢO HUỲNH KHANG

A trans Vietnamese woman's deadname being repeated over and over again.

Hacımirza diaries fahrettin

Third Shift Coming Home

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Comunismo + Sganzerla + Lumière

A fragment of reality about a less affected part of the third world, and how it got to the moon.

2017 Oscar Nominated Short Films: Documentary

Hellborn

Conrad Brooks discusses "Hellborn," his unfinished movie with Ed Wood, and other projects

The Meadows Green

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

Le crash

Logistics

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Credere a tutto

Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.

C'est tombé dans l'oreille d'une sourde

Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.