Muerte Blanca

Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths

Marseille après la guerre

The film uses a collection of post-World War II black & white photographs to portray the dockworkers of Marseilles, many of whom were of African descent. Set in and around a 1947 strike protesting weapons shipments to the French in Indochina, the images evoke the life and work of Senegalese filmmaker, Ousmane Sembène, a former dockworker, and one of the founding figures of the New African Cinema of the 1960s.

Raja Bhau

A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.

Karma Shadub

A young director tries to understand his estranged relationship with his father

David Gan: the Front Lines

A young David Gan joins the WWII effort, eager to serve his country. Feelings of exclusion as a Chinese-American disappear in the Army. After experiencing the loss of so many fallen comrades, David dedicates his life to those who never came home.

Dear Dad

Onde os Mortos Não Têm Vez

Usted no es mujer

In the coffee-growing village of Santuario, Colombia, lives an indigenous transgender community. That is where Juliana and Berómica were banished due to the prejudices of their own strongly Catholic community.

Tudo o Que Imagino

End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".

Buzz One Four

Buzz One Four chronicles the ill-fated flight of a Cold War B-52 Stratofortress loaded with two 3-4-megaton nuclear bombs that crashed 90 miles from Washington DC in 1961. Information suggests that detonation came closer than official reports indicated. The full details of the crash have remained classified and otherwise repressed by the Air Force, but the filmmaker, Portlander Matt McCormick, grew up with this story because the pilot was his grandfather. As McCormick recounts the history of the era, aspects of this crash, and other little-know nuclear-weapons accidents, he leaves us wondering if the U.S. was in greater danger of nuking itself than of being attacked by the Russians.

Salvador Dalí at Work

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

The Execution of Mary, Queen of Scots

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

書家

Edo, Japan. Calligraphists are not mere writers, they can bring drawings to life and utilize kanji. Three calligraphists from the art wielding clan join up and fight against an exiled calligraphist and his minions to protect the Tokugawa shogunate.

Un retrato de N. B.

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.

Min hemliga bror

It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.

On a Wednesday Night in Tokyo

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

Alone

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

The Text Allows No Interpretation

The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.

Efter dig

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

یک آتش

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.