Человек с киноаппаратом

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Hitler an der Macht

Short film about Hitler's rise to power in 1933

Les voyages de L'Atalante

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Der Feldzug in Polen

The first blitzkrieg, Hitler's invasion of Poland, is traced in this original Nazi propaganda film from 1940.

50 años de... Canciones

Cinéastes de notre temps : François Truffaut ou l'esprit critique

Quimera

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

Berlin, die Symphonie der Großstadt

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Timber Front

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

Dark Days

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Echo

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Leonardo da Vinci

Hitlers Hollywood

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

Flying Padre

Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly pilot is seen dashing from one province to the next at the helm of his trusty Piper Club administering guidance to unruly children, sermonizing at funerals and flying a sickly child and its mother to a hospital.

Nazis: The Occult Conspiracy

This documentary examines how Adolf Hitler and the Nazi regime made use of ancient mysticism, occultism, and mind-control techniques in their efforts to win the war.

Baby Cages

After WWII had ended, it was realized by the American Allies that there were children whom Hitler trained to be soldiers between the ages of 9-17. They were the "Hitler Youth". As the adult German soldiers were taken as prisoners of war, so were the children. These boys were taken to France and reeducated by being taught democracy and treated better than the adult POWs. This story recounted by a former "baby cage" prisoner at the age of 92.

Čia buvo Vilnius

Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.

Swastika

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

Häxan

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.