Zucker und Zimt

A resourceful landlady rents the same room to two men: the commercial clerk Zimt, who is at work during the day, and the conductor of a café orchestra Zucker, who has to work all night. After all kinds of turbulence, the trick comes to light and the two bitter enemies Zucker and Zimt eventually become good friends.

Young Mr. Jazz

While running away from his girl's father, Harold's car breaks down in front of a dance hall run by crooks. Harold has to not only stay one step ahead of the girl's father, but also those trying to rob them of everything they have.

Riviera Revels - Travelaugh No. 9: Cold Feats

The tourists set off for the Mountains of the Alpes Maritimes, visit the medieval hilltop of Tourette, and play in the snow.

Riviera Revels - Travelaugh No. 10: Fauny Business

The tarvelling party inluding Cicero Simps (Michael Powell) move to St. Paul de vence and la Colombe d'Or ans showcases a dreamcase in which he dreams he's a faun.

Rough House Rosie

A poor but ambitious young girl is determined to crash high society, but isn't prepared for the reception she receives.

Horror Europa with Mark Gatiss

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

By Indian Post

Jode MacWilliams, a cowboy working on the Circle O ranch, has a crush on the boss's daughter, Peg. After his friend writes a love letter for him, an Indian steals and delivers it to Peg. Meanwhile, word of Jode's affection reaches Peg's father, who has a decidedly less romantic view of this young couple.

Dziewczyna z szafy

This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.

Too Much Johnson

This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.

Japonaise faisant sa toilette

A young woman in traditional Japanese attire fixes her hair and kimono while her servants assist her.

Voltige à cheval à Prague

A group of riders demonstrate equestrian vaulting, or voltige, on the outskirts of Prague.

That Fatal Sneeze

As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.

Vue prise d'une baleinière en marche

Sailors row a whaling boat in a medium-tight shot.

Repas d'indiens

Native Mexican people grouped in front of the camera.

Palace of Electricity

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

Panorama of Eiffel Tower

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

A Nymph of the Waves

A woman in ballet slippers wearing a large white hat and a long white dress - with ruffles, puffy sleeves and petticoats - dances across water with roiling waves behind her. She holds the edges of the skirt with her hands, lifting and twirling, sometimes exposing her bloomers and a dark garter on one leg. Her style combines ballet with the exuberant kicks and twirls of a burlesque dance hall. With churning waves behind her, the water seems to wash beneath her feet. The film of the dancer, "M'lle. Cathrina Bartho" (1899), is superimposed on that of the water, "Upper Rapids, from Bridge" (1896).

Embarquement d'un bœuf à bord d'un navire

Fumerie d'opium

A century-old film depicting opium smokers in French Indochina (Vietnam).

How They Rob Men in Chicago

A burlesque on the work of highwaymen in Chicago. An elderly gentleman is sandbagged and robbed by a thug, who inadvertently leaves some money on the victim's prostrate body. A policeman shows up.