A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.
Aquí y allí: journal d'une exilée
2020
8
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
La pelota vasca: la piel contra la piedra
2003
6
In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.
La primera mirada: historia de una escuela de cine
2024
7
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
La deuxième femme
2008
6
Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of Pedro Sánchez, President of the Government of Spain.
El autócrata
2023
8
A collective effort about the recent history of Spain. A distorting mirror, a radiography, a rotten but exquisite corpse: the blood, the sweat, the dandruff of a country in the shape of a large and extended bull skin. A parade of freaks. The ridiculous independence of the upstairs neighbor, the sovereignty demanded by an insane parrot prisoner in its open cage. Football, potato omelette, kings and safaris. Things not to do again. Guerrilla cinema. Hysteria of Spain.
Histeria de España
2018
0
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
España, un país dividido
2022
3
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
Mathilde
1985
0
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
Cinema Now
2022
2
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Song 5
1964
4
A filmmaker finds 2 boxes of Super-8 films of an unknown amateur at a flea market. He goes on an investigative journey to find this person and dives into the wonderful, obsessive universe of amateur film with its own rules, competitions and the passionate love for the moving images.
Die Souvenirs des Herrn X
2004
0
In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.
Estos muros
2021
8
Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.
Lost Boundaries
2003
6
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
Gesto
2022
0
Spanish jurist and republican thinker Antonio García-Trevijano (1927-2018) expounds his political thought and reflects on the recent political history of Spain.
Antonio García-Trevijano: Transición e historia política de España en primera persona
2021
4
The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.
Mujeres sin censura
2022
0
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Birth of a Nation
1997
6
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
Begins (โผบิน)
2024
0
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.
American Teenagers
2022
0
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Orbainak
2019
10