Scorsese: The Mirrors

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass.

Wes Anderson // From Above

A visual essay that highlights top-down shots from Wes Anderson's filmography.

Mirrors of Bergman

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Ozu: Passageways

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

P.T. Anderson: Close-Ups

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions.

Eyes of Hitchcock

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

19 perc, 56 másodperc

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution.

The Television

On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.

Telephones

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

Someday

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.

Only the Dead

A supercut of television’s The First 48. (Aaron Valdez)

Life After Pi

“Life After Pi” is a short documentary about Rhythm & Hues Studios, the L.A. based Visual Effects company that won an Academy Award for its groundbreaking work on “Life of Pi”– just two weeks after declaring bankruptcy. The film explores rapidly changing forces impacting the global VFX community, and the Film Industry as a whole. This is only the first chapter of an upcoming feature-length documentary “Hollywood Ending,” that delves into the larger, complex challenges facing the US Film Industry and the many professionals working within it, whose fates and livelihood are intertwined.

The Shining Future

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place.

Deadliest Crash: The Le Mans 1955 Disaster

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

Love American Skin

The 8 week road trip of photographer Diana Scheunemann, her boyfriend PJ Norman and their little dog Nico around the USA is an emblematic ensemble of breathtaking landscapes and stories, people and situations. Through 10,128 miles, 21 different states and 30 conversations, inside the homes and the hearts of Americans they encounter, they are pushed by curiosity and a deep fascination for the different elements that together create this country.

Poetes catalans

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

낮은 목소리 3 - 숨결

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

Die Klage der Kaiserin

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

Ulysse

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

Madre, ma come?