This film reveals through flashbacks how a 13-year-old boy and his family attempt to deal with the child's fatal affliction with leukemia. Preserved by the Academy Film Archive in 2012.
A propaganda short about the 1944 United States presidential election, produced by the Office of War information, for overseas distribution. It is meant to explain how the democratic process in America works. Preserved by the Academy Film Archive in 2007.
Tuesday in November
1945
0
Childhood leukemia, which accounts for 30% of childhood cancer, affects the lives of three in every 100,000 children. Of those affected, 20% do not survive, and these statistics have remained unchanged for over 20 years. But there's a way we can improve this outcome: through research.
Yo soy uno entre cien mil
2016
7
A beautiful expression of two differing cultures brought together by the warmth and dedication of a great musician and humanitarian. In 1979, as China re-opened its doors to the West, virtuoso Isaac Stern received an unprecedented government invitation to tour the country. Preserved by the Academy Film Archive in 2000.
From Mao to Mozart: Isaac Stern in China
1981
5
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career as he achieves lasting fame. The documentary includes detailed looks at some of the artist's most renowned creations. In 1950 the film was re-edited and new footage shot by Robert J. Flaherty. Preserved by the Academy Film Archive in 2005.
The Titan: Story of Michelangelo
1938
6
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire. Preserved by the Academy Film Archive in 2006.
The Unconquered
1954
7
The acclaimed poet is examined in this film completed just prior to his death at age 88, with his speaking engagements at Amherst and Sarah Lawrence Colleges intercut with studies of his work, as well as with scenes of his life in rural Vermont and personal reminiscences about his career. He is also seen receiving an award from President Kennedy and touring an aircraft carrier. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2006.
Robert Frost: A Lover's Quarrel with the World
1963
6
Who Are the DeBolts? And Where Did They Get Nineteen Kids? is a 1977 documentary film about Dorothy and Bob DeBolt, an American couple who adopted 14 children [12 at the start of filming], some of whom are severely disabled war orphans -- in addition to raising Dorothy's five biological children and Bob's biological daughter. The film won an Academy Award for Best Documentary in 1978. Preserved by the Academy Film Archive in 2007.
Who Are the DeBolts? And Where Did They Get Nineteen Kids?
1977
5
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Who Killed Vincent Chin?
1987
5
Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 2000.
Castro Street
1966
6
A film poem using found film and stock footage altered by printing, home development and solarization. It is a film using visual relationships to invoke a feeling of flow and movement. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation in 2011.
Waterfall
1968
0
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
The Act of Seeing with One's Own Eyes
1972
6
Muscle Beach was shown in competition at Cannes in 1949 and won a prize at the Edinburgh International Film Festival in 1951. The short became a cult favorite, screening at film clubs around the world. Strick used an army surplus movie camera to shoot the film during weekends in the fall of 1948. The songs in “Muscle Beach,” composed and sung by political folk singer Earl Robinson, with lyrics by screenwriter and poet Edwin Rolfe, accent the film’s three-movement structure as it transitions between soaring gymnastics shows, flirty beachgoers and children playing near the now-demolished pier at Ocean Park. Preserved by the Academy Film Archive in 2009.
Muscle Beach
1948
5
Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers. Preserved by the Academy Film Archive in 2010.
Le monde sans soleil
1964
6
The filmed depiction of a program where convicts tell troubled kids about the horrors of prison life. Preserved by the Academy Film Archive in 2007.
Scared Straight!
1978
7
Documentary short film depicting the harrowing battle between the U.S. Marines and the Japanese for control of the Pacific island of Tarawa. Preserved by the Academy Film Archive in partnership with National Archives and Records Administration in 2005.
With the Marines at Tarawa
1944
6
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.
Window Water Baby Moving
1959
6
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
Werner Herzog Eats His Shoe
1980
6
Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.
Olimpiada en México
1969
5
The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.
Crossroads
1976
6
This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Heavy-Light
1973
5