Philosophie et psychologie

Solaris - als Grundfrage der Philosophie

Nel silenzio del parco

Une petite heure dans les nuages, 2008

l'eau tonne à minuit

Dos Chicos Frente al Mar

Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.

Essence

A Cidade de Cassiano

A short documentary about the works of Cassiano Branco, a modernist architect from Portugal

Kosmologisch - Die Entstehung Des Himmels

Kosmologisch - Vom Stein Zum Leben

A Train Arrives at the Station

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

Heidelberg - Der Film Zur Stadt

La era del ñandú

A mockumentary about Doctor Kurz, the inventor of the BioK-2: a rejuvenating drug extracted from ñandús (rheas).

И ничего больше

The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil.

Robert Mapplethorpe

The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.

Return to 'Twin Peaks'

Documentary about 'Twin Peaks Festival'.

Bugs and Daffy: The Wartime Cartoons

Leonard Maltin introduces us to and takes us back to a theatre showing Wartime cartoon shorts and explains how Bugs and Daffy and the gang, through a collection/sampling of 11 cartoon shorts which served the war effort.

The Beatles: Parting Ways

Parting Ways treats The Beatles with the respect they deserve and details their lives since the world's number one band fell apart.

A Lua Platz

At the outskirts of Paris, in a rapidly-changing suburb, a group of Romanian families are searching for a place to live. From their abandoned village, to the demolished slum and occupied houses, their quest weaves together a common history, forged through solidarity and marked by displacement. Accompanying them on their journey, we build this film as an alternative habitable space.

In questo mondo

Shepherdesses are perfectly present-day, they often live alone but also with partners or with their family, and therefore they are fully involved in their social and economic communities. The film follows the director’s experience while living with them for some time, connecting with them deeply. These bonds of friendship and affection have become true narrative, spontaneous and intimate, of the protagonists’ motivations, difficulties and satisfactions.