Salvemos el Prado. El frente del arte en la Guerra Civil

A definitive review of the long and arduous journey of the works of Spanish Artistic Heritage during the Spanish Civil War. The filmmakers travel the tortuous way back from Madrid to Geneva, passing through Valencia and Figueres, interviewing the protagonists of that unrepeatable feat.

O resplandor das Atochas

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

El silencio de otros

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

Agustina González. La zapatera que miraba a las estrellas

Estos muros

In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.

La Era

La maleta mexicana

The story of the recovery of the negatives of thousands of photos taken by three photographers during the Spanish Civil War that were found seventy years later in a suitcase, inside a closet in Mexico City.

Reportaje del movimiento revolucionario en Barcelona

A pro-Republican documentary filmed on the streets of Barcelona between July 19-24, 1936. It showcases the revolutionary fervor in the city at the onset of the Spanish Civil War.

Ya viene el cortejo…

Women from the different Spanish regions dress in their traditional costumes to attend the triumphal parade celebrating the victory of Francisco Franco and the rebel side over the Second Republic in 1939; the deeds of past heroes are remembered; and a patriotic poem by Nicaraguan poet Rubén Darío is recited.

Días de ira. Helios Gómez. 1905-1956

Biography of the comrade Helios Gómez (1905-1956), painter and draftsman, gypsy and Sevillian, anarchist militant first and then communist.

Operación Nikolai

"Operation Nikolai" is a documentary about the kidnapping and murder of Andreu Nin by Stalin's political police during the Spanish Civil War.

Cicatrices de piedra. La Guerra Civil en Aragón

The story is set in six key scenarios of the conflict in the region: Bielsa, Barbastro, Belchite, Caspe, Teruel and Alcañiz. On this tour we find abundant remains of the war in the landscape and numerous testimonies that narrate this journey through our history.

El Terrer, un poble emmudit

Between 1939 and 1956, the Franco regime shot more than 2,000 republicans in Paterna. They were years of terror, of silence, of arbitrariness, of planned and systematic elimination of any progressive vestige. The documentary portrays the collective effort of the people of Paterna to recover the memory and dignity of those who died defending democracy. Shown through the point of view of those protagonists who were silenced and those voices condemned to oblivion.

¡Hasta pronto, hermanos! Las Brigadas Internacionales en La Desbandá

Documentary about the participation of the International Brigades in February 1937 in containing the advance of the rebel troops after the fall of Malaga.

La vida a través de Vega

The Asturian Valentín Vega is considered one of the most relevant photographers of the last century. He knew how to portray all the essential elements of daily life like no one else and at the same time exercise a devastating display of social criticism. After spending three years in prison for his political affiliation and managing to establish himself as a street photographer, he would continue to offer an unusual image of reality and daily life from the 1940s onwards.

Tierra encima

Félix Costa, an anarchist militant who has lived in exile since the end of the Civil War, discovers that the Administration has left him for dead and decides to return to Spain. As he tours the place where they say he was shot dead, he reflects on the validity of his struggle and the fact that he has fallen into oblivion.

Aillados, a historia da guerra civil en Galicia

The story of the concentration camp on San Simón Island (Ría de Pontevedra) during the years of the Spanish Civil War (1936-39), told by its protagonists. Hours and hours of video recording resulted in this documentary which tries to reflect the emotion and tragedy of those years. A research project based on an oral history methodology.

Arde Madrid

A documentary, of incalculable power, that reflects the abrupt interruption of childhood through thirteen survivors who at the time of 1936 were between six and twenty-two years old. The film narrates his experiences during the conflict, his fears, his hunger, which became more acute after 1937 when Madrid was isolated by Franco's troops. The memories of the protagonists are interwoven with archival images and with the testimony of Eduardo Haro Tecglen and several other people, respecting the silences and pauses in which the interviewees relax the emotions that these memories stir up in them. A cinematic beast's blow where life becomes death: the story of a childhood lost in the midst of embers, hunger and blood.

Los Aguiluchos de la FAI por tierras de Aragón. Reportaje nº 1: Estampas de la revolución antifascista

This documentary is the first of a series that dedicated 4 issues to the activity of the Durruti column in Aragon.

Celuloide colectivo: el cine en guerra

July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.