Bomb Hunters

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

Cannes Uncut

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Cannes : Palmes, scandales et tapis rouge

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

O Porco e a Sociedade

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Viva o Cinema! Uma História da Mostra de São Paulo

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.

Homo Cinematographicus

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Splatterfest Exhumed

A documentary which covers Splatterfest ’90, the notorious all-night horror festival held at London’s legendary Scala Cinema.

Das deutsche Woodstock - Flower-Power in der Pfalz

Crítico

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Rojo Sangre: 10 años a puro género

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

Afterparty

The sun rises in the city of Lisbon, the morning after its biggest festival, Santo Antonio. As the citizens wake up and start their day, the decorations from the party come to life to leave the city.

A Sweet Tale

A young woman opens an old family cookbook. From the pages appear miniature nuns in pop-up illustrations. The nuns come to life, jumping out of the book, and help the woman prepare convent sweets recipe for her bakery.

Glorieux Éden

Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.

Maresia

The sea can be many things; provider of food and work, playmate or harbinger of death. Set in the 1950s in the fishing town of Nazare, the ocean takes different shapes as it interacts with each member of a small family.

Lencos dos namorados

What is life without friendship? The threads of our lovers’ handkerchief bring to life the Portuguese tradition and tie the bond between two best friends. Peak with us into what makes up a connection between two little girls.

Saudade

In the heart of the Douro Valley, the sun still illuminates the last gestures of the grape harvesters. The abundant nature sees the children wandering around, the landscapes change over the hours but already, a light wind lets herald the end of the holiday.

Ouve, meu filho

On a cork oak farm deep in the village of Aldeia Velha, the warm Portuguese sun beams down on the white walls of a family home. Life is sweet here. Cherish these moments spent together.

Embruns

It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.

Tape

John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

Deeno

A stressed, procrastinating student uses a evil 90s AI program to finish his final assignments. He is willing to finish the assignments, no matter the cost.