La Société du spectacle

Guy Debord's analysis of a consumer society.

Legacy, notre héritage

Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions

Second Class

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Stigma

A journey around Norway to seek out regular drug users of the country and tell their untold stories about drug use and discrimination.

Die Arier

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Les arpenteurs de l'espace

Viva El Vedado

Viva El Vedado presents the history of the Havana neighborhood of El Vedado from the last quarter of the 19th century through the Cuban Revolution and highlights its varied and outstanding architecture. Known as a cultural center of Havana, Vedado is particularly notable for its unique collection of Cuban architecture of the 20th century. The film’s goal is to introduce its audiences to the neighborhood’s remarkable architecture, its vibrant life, and the need for preserving Vedado as part of Havana’s heritage. It is a glimpse beyond tourist fantasies and stereotypes, a rare view of one of Havana’s most important neighborhoods.

Goldorak Go ! Le Documentaire

The Godmother

Island Home Country

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Siamo qui

Activists of the LGBTQ+ association Rain Arcigay Caserta come back living in a property given to them in concession, confiscated from the Camorra in Castel Volturno. The goal is to reconnect with the local inhabitants and propose a new idea of ​​sharing and regenerating the park.

Learning to Skateboard in a Warzone (If You're a Girl)

The story of young Afghan girls learning to read, write and skateboard in Kabul.

Die PKK in Europa - Freiheitskämpfer oder Terroristen?

Banned since 1993 in France and Germany, does the PKK still represent a danger? A dive into the heart of a complex geopolitical issue, where the fight for freedom, manipulation and pressure are intertwined.

La Mafia non è più quella di una volta

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

We still kick each other under the table

What it is like to have a younger sibling

Cowboys: A Documentary Portrait

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

El autócrata

Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of Pedro Sánchez, President of the Government of Spain.

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Les Mormons : Qui sont-ils vraiment ?

Diese Briten, diese Deutschen

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.