Falklands War: The Untold Story

On the 40th anniversary of the conflict, senior commanders and ground troops reveal how a series of mistakes nearly cost Britain its hard-won victory over Argentina in the South Atlantic.

Falklands' Most Daring Raid

Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.

Locos de la bandera

The story of the relatives of the 649 Argentine fallen in the Malvinas War, who as soon as the military conflict ended, found themselves alone with their pain and prevented from approaching the grave of their loved ones, either because their bodies were left in the Cemetery of Darwin, in the Malvinas, or because they disappeared without being identified.

La forma exacta de las islas

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

The Falklands War: The Untold Story

Five years after the war in the Falklands between Britain and Argentina, many facts were still wrapped in red tape. Many of the key figures had remained silent. No-one had been to Argentina to tell the other side of the story. For the majority of the British people, the war was another glorious chapter in their history. With flags waving and bands playing, British troops had sailed away to repel the invaders. Patriotic emotions were stirred as they returned victorious. Government MPs tried to get the film banned, but Yorkshire TV's telephones were jammed with messages of support from wives and mothers of those who died in the conflict. Called 'the documentary to end all documentaries about the Falklands War' in the British press, it was also described as 'more poem than polemic - a hymn against war'.

El Olimpo vacío

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.

El Hundimiento del Belgrano

During the Falklands war England's attack on the ARA Belgrano outside of the conflict zone is reviewed 20 years later by a team of National Geographic hoping to find the ship and shed more light into what happened that night.

Con amigos así

Broken Token

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

No tan nuestras

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.

The Falklands War

The Falklands War - A Military History. It is over twenty years since Argentine forces invaded the Falkland Islands. Within three days, a British task force had been mobilised and was on its way to the South Atlantic on a mission to restore the islands to British control. Soon, harrowing images that demonstrated the terrible realities of war were being beamed back to the United Kingdom. This twentieth anniversary commemorative programme is a powerful record of a war that cost more than a thousand lives. It features remarkable archive footage of the fight for the Falkland Islands, atmospheric battle reconstructions and 3D animated graphics that provide a unique perspective on famous battles such as Goose Green, Tumbledown Mountain and Wireless Ridge. ‘The Falklands War’ also features the memories and recollections of British and Argentine servicemen who went to war in the South Atlantic more than twenty years ago.

Hundan al Belgrano

A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.

The Deminers

Zimbabwean landmine clearers Shame and Cosimas, as well as medic Previous have been traveling to the other side of the world for years to clear mines in the British Falkland Islands. In the subpolar cold, between sand dunes and penguins, they defuse and blow up the legacies of a forgotten war.

1982 Malvinas, La guerra desde el aire

Esta Todo Arreglado

Documentary on the Falklands War of 1982

Bravo November

Mike Brewer sets off on a journey of discovery to find out the story of one of the most remarkable aircraft in the British Armed Forces: a Chinook helicopter code named Bravo November. By doing so he examines the invaluable contribution that these helicopters have made to campaigns from the Falklands War to modern day British Military service over the past thirty years.

El visitante

Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.

This Is England

A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends, even like family. Based on experiences of director Shane Meadows.

The Falklands Play

The Falklands Play is a dramatic account of the political events leading up to, and including, the 1982 Falklands War. The play was written by Ian Curteis, an experienced writer who had started his television career in drama, but had increasingly come to specialise in dramatic reconstructions of history. It was originally commissioned by the BBC in 1983, for production and broadcast in 1986, but was subsequently shelved by Controller of BBC One Michael Grade due to its alleged pro-Margaret Thatcher stance and jingoistic tone. This prompted a press furore over media bias and censorship.The play was not staged until 2002, when it was broadcast in separate adaptations on BBC Television and Radio.

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