The Dungeon

Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

Deceit

Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.

Birthright

A young black Harvard graduate fights against a variety of obstacles, including racist opposition, in order to build a school for black children. Considered a lost film.

A Son of Satan

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

بداية ونهاية

Set in the suburbs of Cairo in the late 1930s, the story follows a middle-class Egyptian family grappling with the hardships of life after the death of their father, their sole breadwinner. The mother and her four children—three brothers and their sister, Nefisah—struggle to avoid slipping into poverty. They all go in different directions which aren't exactly good.

Bande à part

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

Larceny

A man breaks into a flat, startling the occupant. They argue about the new girlfriend of the 'burglar', who's come to get her stuff. Then a third man bursts out of the cupboard...

Show Me What You Got

Follows three young millennials as they form a wholehearted ménage à trois, each of them going through a moment of transition: Fun-loving Marcello from under the thumb of his Italian soap star father, soulful French-Iranian actor Nassim toward a more fulfilling career, and artist Christine through the grief following the death of her grandfather. The trio finds joy together by joining political protests, making art, and falling deeper into their unconventional love, until Marcello must return to Italy.

Dead Youth

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

Слепой дождь

A poetic story about the first love of boy Sanya to girl Lena.

La casa en que vivimos

A portrait of a Chilean middle-class family in the 1940s and 1970s.

És tard

درب المهابيل

Khadiga lives in a poor neighborhood with her parents. She tries to save up money so she could marry her sweetheart Taha. Taha buys a lottery ticket in hope of winning a lot of money, but it ends up in Khadiga's religious father's hands who throws it away. The ticket gets picked up by the town's fool, who gets lucky and wins, driving the town into chaos.

The Ballad of Suzanne Césaire

An actress, three months post-partum, reads through fragments of the archive of Suzanne Césaire as she prepares to perform excerpts of the writer's work.

The Hope

An upper class melodrama.

Pan T.

Warsaw, Poland, 1953. Mr. T., a renowned writer, lives in a hotel and earns his living by giving private lessons.

Frankenstein

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Alraune

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

Alraune, die Henkerstochter, genannt die rote Hanne

Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.

Alraune

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.