KaprKód

This film traces the life of Jan Kapr, a prominent Czech composer of the 20th century. A documentary opera with an ambitious libretto and playful and refined editing work, Kapr Code is an unexpected celebration of creativity that shakes up our ideas of biography and pays tribute to the importance of resisting homologation and censorship through art and creation.

Ghetto Ballet

Gehtto Ballet follows the inter-linked stories of a number of students in a groundbreaking program called Dance For All. The raison d'etre of the program - founded by Philip Boyd and his late wife Phyllis Spira - is to give disadvantaged kids in the townships the opportunity to study ballet and, if they are lucky, find a way out by joining a professional ballet company.

Rusalka

We Are Moving: Memories of Miss Moriarty

Joan Denise Moriarty doggedly followed her dream of bringing ballet to every corner of Ireland. A pioneer of early 20th century Irish dance, she dared to create a uniquely Irish form of ballet inspired by her love of nature and Irish folklore. Her life's work has been largely overlooked since her death.

Das Triadische Ballett

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

Adolphe Appia le Visionnaire de l'Invisible

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Rhythm is it!

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Ballettguttene

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

Pavarotti, chanteur populaire

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

LIFT

Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.

For Art's Sake: The Story of Ballets Russes

In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.

El canto de las manos

The Sound of Identity

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

L'Opéra

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Rêve Kakudji

Serge Kakudji is a twenty-year-old Congolese counter tenor who fell in love with opera as a young boy, listening to audiotapes of opera recordings in his room in Lubumbashi. Later he traveled to Europe to achieve his dream of becoming a top opera singer. Although Serge's artistic ambitions are pure and uncomplicated, the reactions among his environment and audiences are often ambiguous and divided. While some people respect and acknowledge his artistic vocation, others see him as an exotic oddity, or complain that that his African timbre jars with classical opera. Serge refuses to be discouraged by any of this. On the contrary, he wants to hold up a mirror to Western culture and confront it with its underlying beliefs. He also wants to use his story and experiences in the west to bring opera to Congo. Together with his countrymen and women, he wants to found a Congolese opera tradition based on African stories that will inspire people to follow their dreams.

Dance for All

Aria - Gil Roman

With Aria, Gil Roman perpetuates Maurice Béjart’s ambition: to create new pieces with the company and other choreographers.

Otello

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Getting to the Nutcracker

The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.

Sing Faster: The Stagehands' Ring Cycle

With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is a daunting undertaking for any opera company. Jon Else goes backstage to show this rare event entirely from the point of view of union stagehands at the San Francisco Opera.