Para siempre

White Walls Say Nothing

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Copa 78 - O Poder do Futebol

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

El camino de Santiago: Desaparición y muerte de Santiago Maldonado

Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues

Match 64: The Maracanã

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

Deuda

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Memoria del saqueo

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Messi

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Soldado

A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?

Ricky Espinosa: El Documental

Todxs somos López. Donde empieza la vida y termina la muerte

A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.

Transitorio

Diego Tejerina, a prisoner with temporary releases, uses his knowledge of sociology to reflect on freedom and confinement.

Polígono Sur

Documentary about the marginal neighborhood 'Las tres mil viviendas', in Seville.

Lo Que Queda en la Tierra

In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.

My Enemy's Enemy

Reveals an alternate history of the post-war world. This is a version of history where, in contrast to what we are all told, fascist ideology prevailed. The story of Klaus Barbie, Nazi torturer, American spy, tool of repressive right-wing regimes, is symbolic of the real relationship that the "Western" governments had with fascism and makes us see the world as it is today - and the politicians that inhabit it - in a different way.

Reas

Gentle or rough, blonde or shaved, cis or trans, long term inmates or those newly admitted: women re-enact their lives in a Buenos Aires prison, in trance and balance, voguing and singing. A hybrid musical and charming piece of collective empowerment.

Tango

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

Responsabilidad empresarial

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Jorge Luis Borges, l'homme miroir

The lifetime of the great Argentinian man of letters Jorge Luis Borges through narration and interviews of such key players in his life as Leonor de Acevedo —his mother—, María Kodama —his second wife—, and Adolfo Bioy Casares —his best friend and collaborator for decades.

Harto the Borges

A fragmented biography, inconclusive, partial, of the brilliant Argentinian writer Jorge Luis Borges, based on different testimonies: his links with Leonor de Acedevo —his mother— and María Kodama —his second wife—; his vast culture and devout dedication to literature, his and that of others; his country: the politicians and the disloyal military. Borges gradually builds his own impersonation of Borges.