L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Harb Aala el Harb

The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.

Empire

The Pax Americana takes care on our peace, ensures our comfort, guarantees our prosperity… An idyllic postcard of the new Empire.

The Making of 'The Thing'

Locked In

As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.

Bolaño cercano

Generously included as a bonus DVD alongside the 502-page Bolaño salvaje, a book of essays about and reminiscences on the Chilean novelist/poet published by the Barcelona-based Editorial Candy. Bolaño cercano [a difficult to translate title approximating something like Bolaño, Up Close and Personal], which offers up a sympathetic portrait of Bolaño as a loving family man and tireless reader and writer and teases with ever so brief glimpses of his personal library and countless spiral notebooks filled with rough drafts of his novels and poetry and even comic book-like drawings and illustrations.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Shelter at Home: Where Are They Now?

Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.

Thursday

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Cityscape

From La Région Centrale (1971), Snow orchestrates new patterns of movement that exchanges the focus on landscape with the cityscape of Toronto.

Jenny is a Good Thing

Jenny is a Good Thing is a 1969 American short documentary film about children and poverty, directed by Joan Horvath. Produced by Project Head Start, it shows the importance of good nutrition for underprivileged nursery school children. The film was nominated for an Academy Award for Best Documentary Short.

Exploratorium

An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.

Conquest of Light

Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.

The End of the Game

An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The Wages of Sin

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Something to Do with Death

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Jamestown

The founding of the first English colony at Jamestown, Virginia, in 1612 and the many problems that confronted the struggling colonists are depicted.

A Linguagem de Orson Welles

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Somos

Juana, Mar, and Eduardo tell their stories of abuse.