Beethoven: The Symphonies

Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"

Verdi – Messa da Requiem

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

Mozart - Berliner Philharmoniker - Radek Baborák - Daniel Barenboim

The Forbidden City Concert: Carmina Burana

A spectacular concert at the site of Beijing’s Forbidden City. The concert features the renowned Shanghai Symphony Orchestra and Maestro Long Yu, who perform Orff’s Carmina Burana with Aida Garifullina, Toby Spence and Ludovic Tézier, before being joined by Daniil Trifonov for Rachmaninov’s Piano Concerto No.2 and Mari Samuelsen for Max Richter’s Violin piece "November". Length 114′ (complete repertoire) / 71′ (Carmina Burana & Jasmine Flower Song) / 43′ (Piano Concert & November)

Verdi: Messa da Requiem

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

London Symphony Orchestra: The Young Debussy

The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.

Carmina Burana - Carl Orff in Venedig

The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Marco in Venice for a grandiose concert. Facing the basilica, the musicians perform the famous cantata "Carmina burana", twenty-four medieval poems set to music by Carl Orff between 1935 and 1936.

Sommernachtskonzert der Wiener Philarmoniker Schönbrunn

The renowned orchestra presents the world's biggest annual classical open air concert live from their hometown Vienna, Austria on Thursday, May 29th, 2014. The Summer Night Concert with the Vienna Philharmonic is an annual open-air event that takes place in the magical setting of the Schönbrunn Palace Park in Vienna with the palace as a magnificent backdrop. Everyone is invited to come to this unique occasion with free admission. Each year up to 100,000 people can take up the invitation, or enjoy on radio and TV in over 60 countries.

Barenboim The Warsaw Recital

Chopin Year 2010 coincides with the 60th anniversary of Daniel Barenboims stage début, and as a pianist he has decided to devote this year to the great Romantic master of the keyboard. Fryderyc Chopin was born on 1 March 1810 in a small village near Warsaw, and on the eve of the 200th anniversary of this date Barenboim gave this wildly acclaimed Warsaw recital as part of an extensive European tour. Recorded live at the National Philharmonic Hall, Warsaw, the programme presents some of the composers best-known works, including the great B flat minor Sonata with its famous Funeral March, which sounded to many as the composer may well have imagined it. Ive been playing Chopin ever since I was a little boy. On the advice of my father, who was also my teacher, I performed some of his pieces in my very first concert, when I was just seven. At that point I was playing the Etudes and the Nocturnes obviously I didnt try and tackle the larger scale Sonatas or the Fantasy until later.

Beethovenova 9. symfonie – Koncert pro EU

A festive event marking the 10th anniversary of the Czech Republic's accession to the European Union, during which the Brno Philharmonic Orchestra will perform a live broadcast of L. van Beethoven's popular Symphony No. 9 in D minor, Op. 125, with Ode to Joy.

Antonín Dvořák: Slovanské tance 1. řada, op. 46

Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.

An Evening with Joan Sutherland and Luciano Pavarotti

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

Mahler - Symphonies Nos. 7 & 8

Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer/listener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.

Mahler - Symphonies Nos. 1, 2 & 3

Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.

Beethoven: Piano Concertos 1-5 - Uchida, Rattle

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

The Metropolitan Opera Centennial Gala

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

Brahms: The Symphonies

Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.

Teodor Currentzis: Utopia

Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.

Europakonzert 2008 from Moscow

The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92

Teodor Currentzis dirigiert Beethovens Sinfonie Nr. 9

Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.