Santa Rita de Sampa

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Mulheres na fogueira

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

L'età Sperimentale

Mãos de Pedra

Uma das Marias

Coisa Triste Eu Esqueço

O Terceirão dos Lobos

É pra presente? Não! É pra comer agora!

The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.

Joao Gomes: The Pitbull

‘Joao Gomes: The Pitbull’ covers start of the midfielder’s second year in England as he experienced becoming a father for the first time and a full Brazil international within a matter of weeks.

Irmãzinhas

In Lisbon’s residence of The Little Sisters of the Poor Congregation, a group of 7 nuns takes care of 75 elderly people, helping them in their final years.

Piracema - uma carta de amor ao teatro

No Meio de Campo

O Futuro da Memória: 60 anos do Instituto Histórico Geográfico de Nova Iguaçu

Baixada Bow Arqueria: uma história do tiro com arco em Nova Iguaçu

Craiova Versus Craiova

Transa y Frontera: Ensaio sobre Imágenes Sidosas

In a record of images and sounds, a young HIV+ man recounts his experience on the border between Argentina, Brazil and Paraguay.”

Almas Silenciosas

NADA PODE FICAR

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?

O Imperfeccionista