Slipjacht

A dive into the world of a theatrical tradition with riders in classical costumes, hunting horns and bloodhounds. The drag hunt is a hunt without guns, where you do not hunt an animal, but a piece of cloth. It seems to be something of this time, but drag hunting is still under pressure. Can this age-old tradition survive in modern society? How do the riders view this spectacle full of etiquette?

Missing 411: The Hunted

Hunters have disappeared from wildlands without a trace for hundreds of years. David Paulides presents the haunting true stories of hunters experiencing the unexplainable in the woods of North America.

Trophy

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

Tree Stand Safety

An in-depth review of tree stand safety from hunting expert L.J. Smith.

Wildgnorance

The Hunters

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Cree Hunters of Mistassini

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Nuestros safaris

Argentinian short film which shows local fauna and hunting.

The Last Wilderness

Archery expert Howard Hill and a cameraman go to Wyoming to film this wild-animal three-reel short. Besides the scenery, the scenes include a buffalo killed by an arrow shot by Hill (for food); a wildcat and a coyote in a battle, and a fight-to-the-death between a mother bear protecting her cubs against a killer male bear.

Old Barak

Amateur film of fishing and geese-shooting trips by a British party in India.

Distraction et sport à Batavia

Duck archery is not the same as duck hunting. This is a Pordenone moment I will never forget – in actuality short Distraction et Sport à Batavia (1909), the residents of what is now call Jakarta make the most of their leisure time by pursuing a variety of mostly healthy exploits. But really, I can see no justification, nor explanation for why a round of archery needs to be enlivened by affixing live poultry to the target. As my good man Peter tweeted at the time: “One right in the neck, yeesh.” Sensitive viewers should be aware that animal cruelty abounds in silent cinema – the most notable, and egregious, example is Edison’s notorious Electrocuting an Elephant. The most poignant fictional example is perhaps the poor horse in Eisenstein’s October. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

Death: The Ultimate Horror

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.

Hitler's Jurassic Monsters

This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.

Au bout des fusils

Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

Indian Elephants in the Service of Man

Indian elephants in action as working animals and in hunting.

Des grandes journées d'temps

My Deer Hunter is the meeting of Alain, man of the nature and passionate of hunting with the deer, at the moment where the nervousness of the first days of hunting settles down. It's a family reunion, a return to the source in the lands of Témiscouata.

The Outdoorsman

A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.

Le peuple de l'aigle et moi

Natsik Hunting

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

Amarok's Song - The Journey to Nunavut

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.