French Story

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

Nourishment of the oblivion

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Solitary Eyes

An isolated filmmaker struggles to connect with others in the absence of cameras. When he becomes creatively stuck, the world around him begins to dissolve.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Verrückt

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

The Eve

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

Atali'i O Le Crezent (Sons of the Crezent)

Piece of Paradise

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

Picnic

Cellar Door

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

HŏSa

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

The death of the minotavr

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

英雄ちゃん、ママよ

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)

MENTIS EXCESSUS

A woman reflects under the parapet.

A lo Mejor Algún Día

Butterfly Woman

MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.

La terrible bestia sangrienta

A gorilla escapes from a Mexican zoo and goes on a bloody rampage through a small town.

Come è entrato

This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.

水手

Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.

Pulvaaliraghu

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.