Meat Joy

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Microcosmos : Le peuple de l'herbe

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Ester Blenda

A story about the unorthodox life of the groundbreaking Swedish journalist and author Ester Blenda Nordström (1891-1948). In a very restrictive time for women she travelled the world, always returning to her secret love, Carin, in Stockholm.

Barbara Stok - Hoe goed te leven

Documentary about the Groningen comics maker Barbara Stok (1970). She has received worldwide praise for her work for more than twenty years. She knows better than anyone else how to portray philosophical ideas with humor in her books, which are published in many languages. De Volkskrant called her graphic novel 'The philosopher, the dog and the wedding', about the philosopher Hipparchia, one of the best books of 2022. Behind the colorful drawings lies a comic strip creator with a idiosyncratic philosophy of life.

Jack Kerouac: King of the Beats

Jack Kerouac's life is examined through interviews with his contemporaries and friends including Allen Ginsberg, Lawrence Ferlinghetti and William S. Burroughs. The film also employs dramatic recreations of Kerouac's life beginning with his early childhood.

Oxígeno para vivir

Hobbyhorse Revolution

A film about teenagers with growing pains, who discover their own voice and talent through riding and grooming toy horses.

Itzhak Perlman: Virtuoso Violinist

Documentary on the life and career of violinist Itzhak Perlman, including interviews, archival footage, and concert performances.

Materia oscura

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

Dance for All

Julian Schnabel: A Private Portrait

A chronicle of the personal life and public career of the celebrated artist and filmmaker Julian Schnabel.

Headdress

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

Susanne Bartsch: On Top

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

Tolstoy: The Man Behind Anna

An examination of the life of great Russian author Leo Tolstoy, who penned the 1877 novel Anna Karenina.

Avant la fin de l'été

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

In Free Fall

The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.

Mein Name ist Otto

The film tells the fairytale story of a scrawny East Frisian who, despite minimal starting opportunities, has had a unique career. Otto has always trusted his gut feeling, even when he often faced challenges that threatened to jeopardize his career. My Name is Otto shows comical moments and emotional high points, but also addresses the fears of a man who to this day firmly believes that his lucky streak could one day end.

Chantal Akerman: An Interview

Fuchs & Pinguin

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

فاطمة 75

A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.