The relationship between the human body and the perception of space in the field of today's use of technology is questioned by showing parts of the ancient Qi Gong dragon form.
This video installation explores the representation of Black bodies in the French cultural and media landscape. Jérémie Danon and Kiddy Smile bring together personalities from diverse backgrounds in cars, allowing them to share common reflections and personal experiences.
Ride
0
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.
Ernste Spiele 3 – Immersion
2010
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CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Cremaster 3
2002
6
In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.
飯縄縁日
2021
0
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Smashing Monuments
2023
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An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
இருண்ட கண்ணாடி வழியாகப் பார்க்கிறேன்
2023
0
2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett
Disappear Here
2004
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These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.
Dieter Roth. Solo Scenes. 1997-98
1998
0
In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”
Violent Incident: Man-Woman, Segment
1986
0
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
Arrancar los ojos
2023
0
The chasm through which light bleeds , bleeds out of proportion with bright spectral flickers flaming the trees abrading out the tissues with excruciating vigour gaining momentum
Highbushes burning
2018
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superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in Ikeda’s work for the first time, performing as operator/conductor/observer/examiners. All the components on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness – these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.
superposition
2012
0
One Universe, One God, One Nation seeks to evoke a sense of closure and despair in the face of the inescapable cycles of history, through the juxtaposition of images taken in outer space with images of war and submission to power.
One Universe, One God, One Nation
2012
0
A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.
Velvet Bayou
2022
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A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.
In the Dark
1996
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"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine."
三人の女
2016
0
An installation containing video files of the artist's persona, alongside a karaoke piece of her as she watches her viewership fall and two mirrors side by side of messages she received, from two different users online.
I'm Just Happy to Be Here
2017
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The technological and ideological traces of humans have transformed the earth from dark matter to a dark affair which despite everything brings forth new forms.
Dark Matter
2020
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"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
Tierra
2024
0
We depicting the never ending cycle of construction and demolition in the human consumption. It was exhibited at re-constructed disaster area in Kobe.
Build
2001
0