Being and Becoming Chua Ek Kay

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

Jingle lang ang Pahina

Jingle Chordbook Magazine, first published in 1970, promptly taught a generation of Filipinos to play the guitar. Its story also explores how a small independent publication survived the weight of its time – the dark Martial Law years – and how it inspired the Filipino youth to think for themselves and wield the guitar like a weapon. The documentary “Jingle Lang Ang Pahina” tells the story of Jingle, its ragtag crew, and its loyal fans in a rambling, multi-layered narrative told in different voices and perspectives by the writers, artists, fans, collectors, musicians, freaks.

Retour à Manille: Le cinéma Philippin

Documentary about the history of Philippine cinema.

Appointment in Tokyo

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

A Day with the Labourers

This film is an expository documentary that discusses the livelihood of migrant workers in Singapore and how they are treated as a transient and disposable workforce in the 1980s. The demand and influx of migrant construction workers reached a high in the early 1980s as Singapore started the tunnelling works and construction of the Mass Rapid Transit (MRT) system. The film was a response in defending the dignity of the workers and highlighting the contribution of foreign labour towards Singapore’s development.

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

𝗦𝗮𝗻𝘁𝗮 𝗔𝗻𝗮: 𝗧𝗵𝗲 𝗪𝗼𝗺𝗯 𝗼𝗳 𝗠𝗮𝗻𝗶𝗹𝗮

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

Hearts of Darkness: A Filmmaker's Apocalypse

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The PBA: A Nation's Passion

The Philippine Basketball Association is producing: THE PBA: A NATION’s PASSION. For the first time in the history the PBA gathers the men and women who have shaped the landscape of professional basketball in the Philippines.

Kid Kulafu

Before he became one of the world's greatest boxers, Emmanuel "Manny" Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion - for himself, his family, and his country.

Carlos Sainz: The Operator

Le dernier tamaraw

Class Acts

Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.

Salamat sa Alaala

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.

Machete Maidens Unleashed!

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Shirkers

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

My Name is Sandara

Before 2NE1 achieved global success, Sandara was already a superstar in the Philippines.

Call Her Ganda

When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.

Agusan Marsh Diaries

A travelogue documentary about the Agusan Marsh Wildlife Sanctuary

A Bad Name

Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”