Lo que hicimos fue secreto

SLC Punk

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Dublin Crust

A decade after punk band Crust split, the band members lives have fallen apart. Drummer Bonehead has just been released from prison and sets about reforming the band for one last show.

Joan Jett and The Blackhearts: Real Wild Child - Video Anthology

The career-spanning anthology features more than 35 videos, tracing Jett's record-breaking career as the front woman of the Blackhearts. Both concert footage and classic videos are presented in chronological order on REAL WILD CHILD, with no-holds-barred commentary from Jett and longtime manager/partner Kenny Laguna, as well as rare and previously unreleased bonus material.

We Feed the World

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Rot

Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.

Punk the Capital: Building a Sound Movement

An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.

We Were Feared

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

Sub Pop Video Network Program 1

A compilation of all the Sub Pop videos from the grunge era. Tracks include Nirvana's 'In Bloom' and Mark Lanegan's 'Ugly Sunday'.

Bloodied But Unbowed: Bloodshot Records' Life In The Trenches

Bloodied But Unbowed chronicles Bloodshot Records' 12 years (and counting) in the trenches of independent music. It's a world where it's easier to take down an M-1 Abrams tank with pub dart than get noticed and appreciated by the mainstream. Here you'll find the highs, the lows, the humiliations and the triumphs. It's an inspirational tale of the ages for anyone foolish enough to want to start a record label.

The Pretenders - With Friends

Grammy Award-winning, multi-platinum selling band The Pretenders (featuring the Legendary Chrissie Hynde) performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ.

GG Allin: Live and Pissed

With his startlingly outrageous behavior, GG Allin became one of the most infamous performers in the history of rock and roll. GG Allin: Live & Pissed 1988 contains a collection of live performances, television appearances, and interviews that pain a full portrait of the controversial singer. The DVD release of the documentary contains a San Francisco concert appearance.

Idź pod prąd

Second half of the 1970s. A few teenagers from the town of Ustrzyki Dolne, led by a charismatic and undisciplined student of the local school, Siczka, decided to become punks and get into punk rock and start a band called KSU.

Anarchism in America

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

X: The Unheard Music

A documentary about the band X. Includes live and studio performances and interviews with the band members.

Benzeduras

Yndio do Brasil

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

Here Comes the Summer: The Undertones Story

In 1978 the Undertones released Teenage Kicks, one of the most perfect and enduring pop records of all time - an adolescent anthem that spoke to teenagers all over the globe. It was the first in a string of hits that created a timeless soundtrack to growing up, making the Undertones one of punk rock's most prolific and popular bands.

Dead Kennedys: The Early Years Live

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

Instrument

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.