Madame Soleil, la femme qui était supposée savoir

99 dies

Two instants separated by 99 days conflict with each other.

Kathryn Bigelow: Hollywood sous adrénaline

For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.

Revive Us

Are we in the last days of our great nation? Is it too late for America? Revive Us features worship, prayer, and thoughtful discussion as Kirk Cameron turns to Scripture to offer encouragement for our great nation. As Kirk says, 'When our family of believers gets together and the Spirit is moving, we are unstoppable!' Revive Us will have you believing this could be our finest hour!

The Men Who Made the Movies: Samuel Fuller

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Ensamble Patagonia

Through moving and detailed testimonies, the documentary explores the significant Chilote heritage in the architecture of an emerging Patagonia at the end of the 19th century.

Les Vies d'Albert Camus

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

Soumission chimique: pour que la honte change de camp

Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...

少年たちは花火を横から見たかった

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Dwie korony

Recreation of facts and stories of both experts and people who met Maximilian Kolbe and were shocked by his words and actions.

Miss Italia non deve morire

Behind the glitz of Miss Italia, director Patrizia Mirigliani fights to save the iconic pageant, now wavering amid scandals and changing beauty standards.

L'Enfer d'Henri-Georges Clouzot

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

Je ne sais pas si c'est tout le monde

Schnitzeljagd – Mit Christus um die Welt

Saumialuk, le grand gaucher

Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.

Plunging On Alone: Monte Hellman's Life in a Day

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

George A. Romero's Resident Evil

A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.

Reclaiming the Night

In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.

La vida loca

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

Les dents de la mer: Un succès monstre

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.