Não Sei Qual Cidade se Passa aos Olhos Dele

Do Observatório Eu Vi

Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.

Pra Ver a Banda Passar

Nada Será Como Antes - A Música do Clube da Esquina

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

O Rei de Copas

Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.

Memórias Culinárias do Quilombo Ausente Feliz

Cruzeiro: As crônicas do Bicampeão da América

Soberano o Cruzeiro Resplandece

Bateria Meritíssima TABU 2023

Amadeu

Curral Central

Gerais da Pedra

videomemoria

GêVê

Um Dia Lindo

In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.

Tertiary Sound

ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.

How to Breathe in Kern County

As the day grinds to a halt, agricultural workers gather to street race in the quiet, contemplative night.

Locked Off

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Here at the Water's Edge

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Chahine & Co

A “Cinéma, de notre temps” series episode directed by French film critic Jean-Louis Comolli on the Egyptian director Youssef Chahine.