Così fan tutte

Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

The Craft

A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.

Now and Then

Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.

Blue Crush

Nothing gets between Anne Marie and her board. Living in a beach shack with three roommates, she is up before dawn every morning to conquer the waves and count the days until the Pipe Masters competition. Having transplanted herself to Hawaii with no one's blessing but her own, Anne Marie finds all she needs in the adrenaline-charged surf scene - until pro quarterback Matt Tollman comes along...

The Sisterhood of the Traveling Pants

Four best friends (Tibby, Lena, Carmen & Bridget) who buy a mysterious pair of pants that fits each of them, despite their differing sizes, and makes whoever wears them feel fabulous. When faced with the prospect of spending their first summer apart, the pals decide they'll swap the pants so that each girl in turn can enjoy the magic.

La Vie rêvée des anges

Isa and Marie bond while working in a French sweatshop and soon begin sharing an apartment that Marie is watching for a hospitalized mother and daughter. Marie, hoping to avoid a life of struggle and poverty, takes up with Chriss, a nightclub owner whose most attractive asset is his money. Isa recognizes the ultimate futility of the relationship and tries to keep Marie away from him, but her interference puts their friendship at risk.

Otello

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

The Women

A happily married woman lets her catty friends talk her into divorce when her husband strays.

Suncoast

While caring for her brother along with her audacious mother, a teenager strikes up an unlikely friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

A Little Princess

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.

Whip It

In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.

The Children's Hour

An unruly student at a private all-girls boarding school scandalously accuses the two women who run it of having a romantic relationship.

Istanti

La Rondine

Washington National Choir and Orchestra

Werther

Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.

Rameau Hippolyte et Aricie

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Il Barbiere di Siviglia

Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.

Manon Lescaut

The sets and costumes by Ponnelle are truly reflective of the 'grand style'. Plus the fact that the two lead characters are portrayed by top singers in their absolute prime - both Gruberova and Araiza weren't even 35 years old at the time of this performance, makes this production the most convincing both dramatically and musically. The conducting of Fischer is good - he makes the music come alive, much more so than the MET version.

Lucia di Lammermoor

Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”

Macbeth

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.